Science and Culture, and Other EssaysHuxley, Thomas Henry
Philosophy
Science and Culture, and Other Essays
Huxley, Thomas Henry
Science
And justly. For, saving Dante on his solitary pinnacle, there was no
figure in modern literature at the time of the Renascence to compare
with the men of antiquity; there was no art to compete with their
sculpture; there was no physical science but that which Greece had
created. Above all, there was no other example of perfect intellectual
freedom—of the unhesitating acceptance of reason as the sole guide to
truth and the supreme arbiter of conduct.
The new learning necessarily soon exerted a profound influence upon
education. The language of the monks and schoolmen seemed little better
than gibberish to scholars fresh from Virgil and Cicero, and the study
of Latin was placed upon a new foundation. Moreover, Latin itself
ceased to afford the sole key to knowledge. The student who sought the
highest thought of antiquity, found only a second-hand reflection of
it in Roman literature, and turned his face to the full light of the
Greeks. And after a battle, not altogether dissimilar to that which
is at present being fought over the teaching of physical science, the
study of Greek was recognised as an essential element of all higher
education.
Thus the Humanists, as they were called, won the day; and the great
reform which they effected was of incalculable service to mankind.
But the Nemesis of all reformers is finality; and the reformers of
education, like those of religion, fell into the profound, however
common, error of mistaking the beginning for the end of the work of
reformation.
The representatives of the Humanists, in the nineteenth century, take
their stand upon classical education as the sole avenue to culture, as
firmly as if we were still in the age of Renascence. Yet, surely, the
present intellectual relations of the modern and the ancient worlds are
profoundly different from those which obtained three centuries ago.
Leaving aside the existence of a great and characteristically modern
literature, of modern painting, and, especially, of modern music,
there is one feature of the present state of the civilised world which
separates it more widely from the Renascence, than the Renascence was
separated from the middle ages.
This distinctive character of our own times lies in the vast and
constantly increasing part which is played by natural knowledge. Not
only is our daily life shaped by it, not only does the prosperity
of millions of men depend upon it, but our whole theory of life has
long been influenced, consciously or unconsciously, by the general
conceptions of the universe, which have been forced upon us by physical
science.
In fact, the most elementary acquaintance with the results of
scientific investigation shows us that they offer a broad and striking
contradiction to the opinions so implicitly credited and taught in the
middle ages.
Public-domain text, read in full here on John Shaqi.
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