Science and poetryRichards, I. A. (Ivor Armstrong)
History
Science and poetry
Richards, I. A. (Ivor Armstrong)
English poetry -- 20th century -- History and criticism; Poetry
A pioneer in modern research upon the origins of culture was asked
recently whether his work had any bearing upon religion. He replied
that it had, but that at present he was engaged merely in ‘getting the
guns into position.’ The same answer might be given with regard to
the probable consequences of recent progress in psychology, not only
for religion but for the whole fabric of our traditional beliefs about
ourselves. In many quarters there is a tendency to suppose that the
series of attacks upon received ideas which began, shall we say, with
Galileo and rose to a climax with Darwinism, has over-reached itself
with Einstein and Eddington, and that the battle is now due to die
down. This view seems to be too optimistic. The most dangerous of the
sciences is only now beginning to come into action. I am thinking less
of Psycho-analysis or of Behaviourism than of the whole subject which
includes them. It is very probable that the Hindenburg Line to which
the defence of our traditions retired as a result of the onslaughts
of the last century will be blown up in the near future. If this
should happen a mental chaos such as man has never experienced may be
expected. We shall then be thrown back, as Matthew Arnold foresaw, upon
poetry. It is capable of saving us; it is a perfectly possible means
of overcoming chaos. But whether man is capable of the reorientation
required, whether he can loosen in time the entanglement with belief
which now takes from poetry half its power and would then take all, is
another question, and too large for the scope of this essay.
Footnotes
[1] The view of the mind-body problem assumed here is defended and
maintained with references to the contemporary authorities who hold it,
in _The Meaning of Psychology_ by C. K. Ogden, Chapter II. (London,
Kegan Paul; New York, Harpers; 1926.)
[2] For a further discussion of attitudes see the author’s _Principles
of Literary Criticism_, Chapter XV (International Library of
Psychology).
[3] See _The Foundations of Aesthetics_, by C. K. Ogden, James Wood and
the author, pp. 74 ff. for a description of such experience.
[4] _I.e._ thoughts which are both true and evidenced, in the narrower,
stricter senses. For a discussion of some relevant senses of ‘truth’
and ‘knowledge’ see _Principles of Literary Criticism_, Chapters xxxiii
and xxxiv.
[5] On this point the study of the child’s questions included in _The
Language and Thought of the Child_ by J. Piaget (Kegan Paul, 1926), is
illuminating.
[6] The remarks of Wittgenstein (_Tractatus Logico-Philosophicus_, 6.5,
6.52), which superficially resemble this, should be consulted, if only
to show how important the _context_ of a statement may be; for what is
said above should lead not towards but away from all forms of mysticism.
[7] For an account of the various senses of truth and of the ways in
which they may be distinguished in discussion cf. _The Meaning of
Meaning_, by C. K. Ogden and the author, Chapters VII and X.
Public-domain text, read in full here on John Shaqi.
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