It appears that the blue and the green colour in the feathers of birds is in most, if not all, cases produced in the same way as the blue and green of the tree-frog’s skin. It would be interesting were it found possible to produce a full dead-blue colour by experimentally placing a coat of a translucent but turbid colourless medium on a dead-black plate. This, however, has not been done as a deliberate experiment. It is, however, recorded that Goethe was delighted to find what he considered to be a confirmation of his theory of colour when a friend showed him an oil-painting of a gentleman in a black coat which when wetted with a sponge turned bright blue. The picture had been recently “restored,” and the varnish on the black coat was not “dry.” It was precipitated by the water from the sponge, mixing with the spirit which held it in solution. A fine colourless cloud was thus produced overlying the black paint of the coat, and, as in the case of the cerulean frog, a dead-blue colour, due to reflection of the light by the fine particles, was the result. Some friendly physicist might repeat this experiment and study the matter in detail. The red, orange, and yellow colours of birds’ feathers are produced by pigments which are either insoluble or only soluble with great difficulty in fluids of the nature of ether. There is, however, an exception in the case of the African birds called Turacous, or Plantain-eaters. These birds have some large quill-feathers in the wing of a rich crimson colour. This splendid red pigment can be washed out of the feathers by water which is slightly alkaline, and a fine blood-red solution is obtained. Why this curious exception exists we do not know. The extracted colour is found to contain the element copper as one of its chemical components. Plantain-eaters kept in cages have sometimes washed all the colour out of their feathers owing to the water supplied to them for bathing and drinking having become foul and ammoniacal, and thus capable of dissolving the red pigment.