Mr. Goss has continued to manufacture this dainty variety of porcelain until the present time, and his factory has become one of the most noted in the British empire. Among the most popular of his productions in this body are loving cups and little cream jugs, cups and saucers, and fairy tea sets embellished with beautifully colored crests and coats of arms of the different English cities and of prominent personages, such as Queen Elizabeth, Sir Walter Raleigh, King Henry of Navarre, Queen Victoria, the Prince of Wales, Shakespeare, Sir Walter Scott, and Robert Burns. Of more interest, perhaps, to Americans are the porcelain tumblers which have just been produced at the same factory, bearing on the front a faithful duplication in blue and yellow enamels of the insignia of the society of Sons of the Revolution, which were made at the suggestion of a member of the society in Pennsylvania. The soft, satiny Belleek body seems to be particularly well adapted to show off to advantage the rich designs of these badges, and this suggestion will doubtless be followed by other patriotic hereditary societies in the United States. John Hart Brewer, of Trenton, first attempted the manufacture of Belleek ware in this country. He commenced his experiments in this line in 1882, and in the following year brought over from England William Bromley and his son from the Belleek works in Ireland. Subsequently the elder Bromley joined the Willets Manufacturing Company, of the same place, and introduced the manufacture of eggshell porcelain there, and at the present time there are no less than five or six establishments in Trenton where the same class of ware is made. Among many specialties recently introduced is a new style of decoration which has been worked out by Miss Kate Sears, a Kansas girl who studied modeling in Boston. Going to Trenton for the purpose of pursuing her studies in this direction, one day in 1891, while engaged in working over the wet Belleek, the idea of carving delicate designs in the dry clay occurred to her, and after conducting a series of experiments her efforts were crowned with success. The process of modeling which Miss Sears has originated is as follows: A vase or other piece which has been formed in the wet clay and dried is taken before it has been in the kiln, and with knives or other tools the design is cut or chiseled so as to leave the background as thin and transparent as possible when finished. As the dry Belleek, besides being thin, is extremely brittle, and crumbles easily, the carving is an exceedingly difficult operation. It is necessarily a very slow process, since at any moment the knife is liable to cut through the wall and ruin the piece.