Scientific American Supplement, No. 344, August 5, 1882Various
Science
Scientific American Supplement, No. 344, August 5, 1882
Various
Science -- Periodicals
Pubic worship was held in a portion of the edifice nine years after the
work was begun; from that time onward for three hundred years, various
additional portions were completed. On March 4, 1539, the great
transept, built fifty years previous, fell down; but was soon restored.
August 16, 1642, at 6½ o'clock, P.M., a furious hurricane overthrew the
eight little towers that form the exterior corner of the dome; but in
two years they were replaced, namely July 19, 1644: the same night the
great bells sounded an alarm of fire, the transept having in some way
become ignited. The activity of the populace, however, prevented the
loss of the edifice, which for a time was in great danger.
The first architect publicly mentioned in the archives of the edifice
was the Master Enrique. He also directed the work of the Cathedral of
Leon. He died July 10, 1277. The second architect was Juan Perez, who
died in 1296, and was buried in the cloister, under the cathedral. He is
believed to have been either the son or brother of the celebrated Master
Pedro Perez, who designed the Cathedral of Toledo, and who died in 1299.
The third architect of the Cathedral of Burgos was Pedro Sanchez, who
directed the work in 1384; after him followed Juan Sanchez de Molina,
Martin Fernandez, the three Colonias, Juan de Vallejo, Diego de Siloe,
the elder Nicolas de Vergara, Matienzo, Pieredonda, Gil, Regines, and
others. It is worthy of note that a number of Moorish architects were
employed on the work during the 14th and 15th centuries, such as
Mohomad, Yunce, the Master Hali, the Master Mahomet de Aranda, the
Master Yunza de Carrion, the Master Carpenter Brahen. Among the figure
sculptors employed were Juan Sanchez de Fromesta, the Masters Gil and
Copin, the famous Felipe de Vigardi, Juan de Lancre, Anton de Soto, Juan
de Villareal, Pedro de Colindres, and many others. Our engraving is from
a recent number of _La Ilustracion Espanola y Americana_.
[Illustration: THE CATHEDRAL OF BURGOS, SPAIN.--PHOTOGRAPH BY DE
LAURENT.--DRWAWING BY M. HEBERT.]
* * * * *
THE PANAMA CANAL.
By MANUEL EISSLER, M.E., of San Francisco, Cal.
I.
HISTORICAL NOTES.
When Cortez, in the year 1530, made the observation that the two great
oceans could be seen from the peaks of mountains, he, in those remote
days, preoccupied himself with the question to cut through the
Cordilleras.
Therefore, the idea of an interoceanic canal is by no means a modern
one, as travelers and navigators observed that there was a great
depression among the hills of the Isthmus of Panama. As Professor T.E.
Nurse, of the U.S.N., says in his memoirs:
Public-domain text, read in full here on John Shaqi.
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