Scientific American Supplement, No. 421, January 26, 1884Various
Science
Scientific American Supplement, No. 421, January 26, 1884
Various
Science -- Periodicals
When the reptile is passive, the fangs are arranged to lie backward
along the jaw, concealed by the membrane of the mouth, and thus offer
no impediment to deglutition. Close inspection, however, at once
reveals not only their presence, but also several rudimentary ones to
supply their place in case of injury or accident. The bulb of the
duct, too, is surrounded by a double aponeurotic capsule, of which the
outermost and strongest layer is in connection with a muscle by whose
action both duct and gland are compressed at will, conveying the
secretion into the basal aperture of the fang, at the same time
refilling the bulb.
When enraged and assuming the offensive and defensive, the reptile
draws the posterior portion of its body into a coil or spiral, whereby
the act of straightening, in which it hurls itself forward to nearly
its full length, lends force to the blow, and at the same instant the
fangs are erected, drawn forward in a reverse plane, permitting the
points to look outward beyond the lips. The action of the compressor
muscles is contemporaneous with the blow inflicted, the venom being
injected with considerable violence through the apical outlets of the
fangs, and into the bottom of the wound. If the object is not
attained, the venom may be thrown to considerable distances, falling
in drops; and Sir Arthur Cunynghame in a recent work on South Africa
relates that he was cautioned not to approach a huge cobra of six feet
or more in length in its death agony, lest it should hurl venom in his
eyes and create blindness; he afterward found that an officer of Her
Majesty's XV. Regiment had been thus injured at a distance of
_forty-five feet_, and did not recover his eyesight for more than a
week.[1]
[Footnote 1: Presumably the Natal ombozi, or spitting cobra, _Naja
haemachites_, who is fully equal to the feat described.]
Public-domain text, read in full here on John Shaqi.
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