Scientific American Supplement, No. 467, December 13, 1884Various
Science
Scientific American Supplement, No. 467, December 13, 1884
Various
Science -- Periodicals
You see two modes of vibration,[3] sound and light now moving
together--the traveling of the wave of condensation and rarefaction,
and the traveling of the wave of transverse displacement. Note the
direction of propagation. Here it is from your left to your right, as
you look at it. Look at the motion when made faster. We have now the
direction reversed. The propagation of the wave is from right to left,
again the propagation of the wave is from left to right; each particle
moves perpendicularly to the line of propagation.
[3] Showing two moving diagrams, simultaneously, on the screen,
depicting a wave motion of light, the other a sound vibration.
I have given you an illustration of the vibration of sound waves,
but I must tell you that the movement illustrating the condensation
and rarefaction represented in that moving diagram are necessarily
very much exaggerated to let the motion be perceptible, whereas the
greatest condensation in actual sound motion is not more than one or
two per cent, or a small fraction of a per cent. Except that the amount
of condensation was exaggerated in the diagram for sound, you have a
correct representation of what actually takes in the low note C.
On the other hand, in the moving diagram representing light waves what
had we? We had a great exaggeration of the inclination of the line of
particles. You must first imagine a line of particles in a straight
line, and then you must imagine them disturbed into a wave curve, the
shape of the curve corresponding to the disturbance. Having seen what
the propagation of the wave is, look at this diagram and then look at
that one. This, in light, corresponds to the different sounds I spoke
of at first. The wave length of light is the distance from crest to
crest of the wave, or from hollow to hollow. I speak of crests and
hollows, because we have a diagram of ups and downs as the diagram is
placed.
[Illustration: Waves of Red Light.]
[Illustration: Waves of Violet Light.]
Here, then, you have a wave length.[4] In this lower diagram you have
the wave length of violet light. It is but one-half the length of
the upper wave of red light; the period of vibration is but half as
long. Now, on an enormous scale, exaggerated not only as to slope, but
immensely magnified as to wave length, we have an illustration of the
waves of light. The drawing marked "red" corresponds to red light, and
this lower diagram corresponds to violet light. The upper curve really
corresponds to something a little below the red ray of light in the
spectrum, and the lower curve to something beyond the violet light. The
variation in length between the most extreme rays is in the proportion
of four and a half of red to eight of the violet, instead of four and
eight; the red waves are nearly as one to two of the violet.
[4] Exhibiting a large drawing, or chart, representing a red and a
violet wave of light.
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