Scientific American Supplement, No. 470, January 3, 1885 — John Shaqi
Scientific American Supplement, No. 470, January 3, 1885Various
Science
Scientific American Supplement, No. 470, January 3, 1885
Various
Science -- Periodicals
The following is another method of fixing phantoms, as employed by Prof.
Bailie, of the Industrial School of Physics and Chemistry of the City of
Paris. He begins by forming the phantom, in the usual way, upon paper
prepared with ferrocyanide, and exposes it to daylight for a sufficient
length of time. The filings form a screen which is so much the more
perfect in proportion as it is denser, and, after fixation, there is
obtained a negative phantom, that is to say, one in which the parts where
the field is densest have remained white.
The same processes of fixation apply equally well to galvanic phantoms,
that is to say, to the galvanic fields produced by the passage of a
current in a conductor, and which consists of analogous lines of force.
The processes may be employed very efficaciously and with certainty of
success.--_La Nature._
* * * * *
A CHIPPENDALE SIDEBOARD.
[Illustration: A CHIPPENDALE SIDEBOARD.]
Our illustration this week is of a unique and handsome piece of
Chippendale work. The outline is elegant, and the scrollings delicate. The
pedestals are peculiar in their form, the panels being carved in
draperies, etc. In the frieze are two drawers, with grotesque heads
forming the handles. The back is fitted with shaped glass and surmounted
by an eagle. The whole forms a very characteristic piece of work of the
period, having been made about 1760-1770. As our readers are aware, Thomas
Chippendale published his book of designs in 1764, with the object of
promoting good French design in this field of art. This piece of furniture
was sold at auction lately for 85 guineas.--_Building News._
* * * * *
LIQUEFACTION OF THE ELEMENTARY GASES.
By JULES JAMIN, of the Institute of France.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account