The last thing is to emphasize the door, as the principal opening in the walls, and quite distinct in use and meaning from the other openings, by giving it a little architectural frame or setting, which may be done in many ways, but in this case is done by the old fashioned device (not very logical certainly) of putting a little entablature over it, and a column on either side; there is, however, this to be said for it, that the projecting tablature forms a semi-porch, protecting those at the door somewhat from rain; it must be carried in some way, and columns are the readiest and most seemly manner of doing it, and they also form, practically, something of a weather screen; the bases on which they stand also form a framework or inclosing wall for the steps, which are thus made part of the architectural design, instead of standing out as an eyesore, as on Fig. 10. We have now given the house a little general expression, but it still is vague in its design as far as regards the distribution of the interior; we do not know whether the first floor, for instance, is one large room, or two or more rooms, or how they are divided; and the little house is very square and prim in effect. Let us try grouping the windows a little, and at the same time breaking up the flat surface of the front wall (Fig. 12). Here, as before, we have divided the building by a horizontal string, but only by one main one on the first floor level, keeping the same contrast, however, between a richer portion above and a plainer portion below; we have divided the building vertically, also, by two projecting bays finishing in gables, thus breaking also the skyline of the roof, and giving it a little picturesqueness, and we have grouped the windows, instead of leaving them as so many holes in the wall at equal distances. The contrast between the ground and first floor windows is more emphatic; and it is now the more evident that the upper floor rooms are the best apartments, from their ample windows; it is also pretty evident that the first floor is divided into two main rooms with large bay windows, and a smaller room or a staircase window, between them; the second floor windows are also shifted up higher, the two principal ones going in to the gables, showing that the rooms below them have been raised in height. Windows carried up the full height of these rooms, however, might be too large either for repose internally or for appearance externally, so the wall intervening between the top of these and the sill of the gables is a good field for some decorative treatment, confined to the bays, so as to assist in separating them from the straight wall which forms the background to them. [Illustration: Fig. 12]