But this secondary type of mills was not honest in the matter of design. The influence of architects who attempted effects not accordant with or subservient to the practical use of the property is apparent in such mills. The most frequent of these wooden efforts at classic architecture was the common practice of representing a diminutive Grecian temple surrounding a factory bell perched in mid air. There were also windows with Romanesque arches copied from churches, and Mansard roofs, exiled from their true function of decorating the home, covering a factory without an answering line anywhere on its flat walls. I do not mean to criticise any of these elements of design in their proper place and environment; but utility is the fundamental element in design, and should be especially noticeable in a building constructed for industrial purposes, and used solely as a source of commercial profit in such applications. Its lines therefore fulfill their true function in design in such measure as they suggest stability and convenience; and this can be obtained in such structures without the adoption of bad proportions offensive to the taste. In fact, certain decorative effects have been made with good results; but these have been wholly subordinate to the fundamental idea of utility. The endurance with which brick will withstand frost and fires, and the disintegrating forces of nature, in addition to its resistance to crushing and the facility of construction, constitute very important reasons for its value for building purposes. But the use of this has been too often limited to plain brick in plain walls, whose monotony portrayed no artistic effect beyond that furnished by a few geometrical designs of the most primitive form of ornament, and falling far short of what the practice of recent years has shown to be possible with this material. Additions of cast iron serve as ornaments only in the phraseology of trade catalogues; and the mixture of stone with brick shows results in flaring contrasts, producing harsh dissonance in the effect. The facades of such buildings show that this is brick, this is stone, or this is cast iron; but they always fail to impress the beholder with the idea of harmonious design. The use of finer varieties of clay in terra cotta figures laid among the brickwork furnishes a field of architectural design hardly appreciated. The heavy mass of brick, divided by regular lines of demarkation, serves as the groundwork of such ornamentation, while the suitable introduction in the proper places of the same material in terra cotta imparts the most appropriate elements of beauty in design; for clay in both forms shows alike its capacity for utility and decoration. The absorption of light by both forms of this material abates reflection, and renders its proportions more clearly visible than any other substance used in building construction.