Scientific American Supplement, No. 711, August 17, 1889 — John Shaqi
Scientific American Supplement, No. 711, August 17, 1889Various
History
Scientific American Supplement, No. 711, August 17, 1889
Various
Science -- Periodicals
logwood extract and wool mordanted with bichromate of potash, and
seemed to be under the impression that the color thus obtained was not
black, but blue. This was undoubtedly the case in dyeing trials
performed as tests, as these were conducted purposely with a very
small proportion of coloring matter in order to admit of a better
comparison of the resulting depth of shades. But with larger
proportions of logwood the color obtained was a fine bluish-black, and
with the addition of a small proportion of fustic or quercitron bark
to the logwood a jet black was readily produced. With regard to Mr.
Watson Smith's observation as to fractional dyeing, he (Mr. Siebold)
did not regard this method as a suitable trial for ascertaining the
strength of an extract, but he admitted it was occasionally very
valuable for detecting an admixture of extracts of other dyewoods,
such as quercitron bark extract in logwood extract. It was also a good
method of ascertaining the speed of dyeing and hence the relative
proportion of fully developed coloring matter of an extract.--_Jour.
Soc. Chem. Industry._
* * * * *
ORTHOCHROMATIC PHOTOGRAPHY.[1]
[Footnote 1: Read before the Photographic Association of
Brooklyn.]
By OSCAR O. LITZKOW.
What I want to show is the manner in which the process has been
tested. My employer, Mr. Bierstadt, has given me permission to show
you some samples, and also his chart containing the spectrum colors:
violet, indigo blue, green, yellow, orange, red, and black. This chart
has been photographed in the orthochromatic and also in the ordinary
way.
There are many ways of producing an orthochromatic effect; one is the
use of a glass tank placed behind or in front of the lens, in which a
coloring matter from either a vegetable or mineral product is placed;
this tank or cell is, however, only for use in the studio, as for
outdoor photography we have a colored glass screen, so as not to be
bothered with carrying colored solution.
The tank is constructed as follows: Procure two pieces of best white
plate glass, about 6 inches square; between these place a piece of
rubber of the same size square, and about 3/8 of an inch thick. In the
center of this rubber cut out a circle about 4 inches diameter, and
from one of the corners to the center of the circle cut out a narrow
strip 1/4 inch wide; this serves as the mouth of the tank. The two
pieces of glass and the rubber are cemented together with rubber
cement; then, to hold it firmly together, two brass flanges are used
as a clamp, with four screws at an equal distance apart; a thin sheet
of rubber is on the glass side of the flanges to prevent direct
contact with the glass, the center remaining clear for the rays of
light to pass through solution and glass.
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