Let me first direct your attention to the diagram containing the _natural coloring matters_--those dyestuffs which were in use previous to 1856. Broadly speaking, they are of two kinds; those which dye textile materials "direct," and those which give no useful color without the aid of certain metallic salts, called "mordants." Now, among the natural coloring matters, these "mordant dyes," as they may be conveniently termed, are much more numerous than the "direct dyes;" but be it observed, we have fast and fugitive colors in both classes. Referring first to the wool patterns and to the "direct dyes," we find that the only really fast colors are Prussian blue and Vat indigo blue. Turmeric, orchil, catechu, and indigo carmine are all extremely fugitive. As to the "mordant dyes," some yield fast colors with all the usual mordants, e.g., madder, cochineal, lac dye, kermes, viz., reds with tin and aluminum, claret browns with copper and chromium, and dull violets with iron. Other dyestuffs, like camwood, brazilwood, and their allies, also young fustic, give always fugitive colors whatever mordant be employed; others again, e.g., weld, old fustic, quercitron bark, flavin, and Persian berries, give fast colors with some mordants and fugitive colors with others; compare, for example, the fast olives of the chromium, copper, and iron mordants with the fugitive yellows given by aluminum and tin. A still more striking case is presented by logwood, which gives a fast greenish-black with copper and very fugitive colors with aluminum and tin. Other experiments have shown that the chromium and iron logwood blacks hold an intermediate position. Abnormal properties are found to be exhibited by camwood and its allies, with aluminum and tin, the colors at first becoming darker, and only afterward fading in the normal manner. When we examine the silk patterns, we find, generally speaking, a similar degree of fastness among the various natural dyes, as with wool; in some instances the colors appear even faster, notice, for example, the catechu brown and the colors given by brazilwood and its allies, with iron mordant. On examining the cotton patterns, we are at once struck with the marked fugitive character of nearly all the natural dyes. The exceptions are: the madder colors, especially when fixed on oil-prepared cotton, as in Turkey red; the black produced by logwood, tannin, and iron; and a few mineral colors, e.g., iron buff, manganese brown, chromate of lead orange, etc., and Prussian blue. Cochineal and its allies, which are such excellent dyes for wool and silk, give only fugitive colors on cotton.