We will mention in the first place the "Percival des Wolfram von Eschenbach," as well as "Christ von Troies," where there is a great deal said about horses, horse grooms, and tournaments, but nowhere in those works is any mention made of horseshoeing. Likewise is found the horse on the coat of arms of Wolfram von Eschenbach, in the Manessi collection in Paris, which was begun in Switzerland in the fourteenth century; but, although we find this horse most beautifully finished, it was not shod. [Illustration: FIG. 19.] During the time of the crusades, 1096-1291, however, there appeared suddenly in Germany a plate-like horseshoe of southern character (Figs. 18 and 19), which was occasionally bent upward at the heel end, and was very heavy. The toe was very broad sometimes, and was also bent upward. In this form we have seen the shoes of the Balkan and Pyrean peninsula. The shoe was remarkably narrow at the heel, and was supplied with calks, which accounts for the highness of the back part of the shoe. Frequently we find one calk set diagonally, but the other drawn out wedge shaped, and sharp; so that there existed a great similarity between this iron shank and that used by Count Einsiedel for winter shoeing. Sometimes both shanks were sharpened in this way, or were provided with blade-shaped calks well set forward. The form of nail holes used was very characteristic of that of the Huns, but they were decidedly smaller and square, as were seen in the African shoe of the twelfth century. The nail heads were slightly sunk, which was according to southern customs. That this shoe really belongs to the period of the crusades is proved by the numerous horse pictures which have been preserved from that time; of which we will mention the manuscript of Heinrich von Veldecka ("Eneidt")[4] in the year 1180, which belongs to the most valuable parts of German history of art. [Footnote 4: "Wanderungen des Aeneas" (Travels of Aeneas).] This south European Hunish horseshoe had remained the standard form during the middle ages and until the thirty years war, at least in South Germany. The shoe was continually improved, and reached its highest point of perfection about the time of the "Bauern-krieg" (Revolution of the Peasants), at a time when, under the leadership of the Renaissance, the whole art of mechanics, and especially that of blacksmithing, had taken an extraordinarily great stride (Figs. 20 and 21). [Illustration: FIG. 20.] [Illustration: FIG. 21.] The shoe (Figs. 22 and 23) is found in Franconia, in all places where, in the sixteenth century, battles had been fought with the rebellious peasants. We may, therefore, be justified in fixing its origin mainly from that period, for which also speaks its high perfection of form. We find here still the bent-up heel and toe (the latter broad and thin) of the south European form.