Scientific Romances (First Series)Hinton, Charles Howard
Philosophy
Scientific Romances (First Series)
Hinton, Charles Howard
Fourth dimension
We can imagine these threads as weaving together to form connected
shapes, each complete in itself, and these shapes as they pass through
the fluid plane give rise to a series of moving points. Yet, inasmuch as
the threads are supposed to form consistent shapes, the motion of the
points would not be wholly random, but numbers of them would present the
semblance of moving figures. Suppose, for instance, a number of threads
to be so grouped as to form a cylinder for some distance, but after a
while to be pulled apart by other threads with which they interlink.
While the cylinder was passing through the plane, we should have in the
plane a number of points in a circle. When the part where the threads
deviated came to the plane, the circle would break up by the points
moving away. These moving figures in the plane are but the traces of the
shapes of threads as those shapes pass on. These moving figures may be
conceived to have a life and a consciousness of their own.
Or, if it be irrational to suppose them to have a consciousness when the
shapes of which they are momentary traces have none, we may well suppose
that the shapes of threads have consciousness, and that the moving
figures share this consciousness, only that in their case it is limited
to those parts of the shapes that simultaneously pass through the plane.
In the plane, then, we may conceive bodies with all the properties of a
material system, moving and changing, possessing consciousness. After a
while it may well be that one of them becomes so disassociated that it
appears no longer as a unit, and its consciousness as such may be lost.
But the threads of existence of such a figure are not broken, nor is the
shape which gave it origin altered in any way. It has simply passed on
to a distance from the plane. Thus nothing which existed in the
conscious life on the plane would cease. There would in such an
existence be no cause and effect, but simply the gradual realisation in
a superficies of an already existent whole. There would be no progress,
unless we were to suppose the threads as they pass to interweave
themselves in more complex shapes.
Can a representation, such as the preceding, be applied to the case of
the existence in space with which we have to do? Is it possible to
suppose that the movements and changes of material objects are the
intersections with a three-dimensional space of a four-dimensional
existence? Can our consciousness be supposed to deal with a spatial
profile of some higher actuality?
Public-domain text, read in full here on John Shaqi.
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