Scientific Romances (First Series)Hinton, Charles Howard
Philosophy
Scientific Romances (First Series)
Hinton, Charles Howard
Fourth dimension
The question naturally occurs, looking at these numbers 2, 2², 2³, by
what figure shall we represent 2⁴, or 2 × 2 × 2 × 2. We know that in the
figure there must be sixteen units, or twice as many units as in the
cube. But the unit also itself must be different. And it must not differ
from a cube simply in shape. It must differ from a cube as a cube
differs from a square. No number of squares will make up a cube, because
each square has no thickness. In the same way, no number of cubes must
be able to make up this new unit. And here, instead of trying to find
something already known, to which the idea of a figure corresponding to
the fourth power can be affixed, let us simply reason out what the
properties of such a figure must be. In this attempt we have to rely,
not on a process of touching or vision, such as informs us of the
properties of bodies in the space we know, but on a process of thought.
Each fact concerning this unknown figure has to be reasoned out; and it
is only after a number of steps have been gone through, that any
consistent familiarity with its properties is obtained. Of all
applications of the reason, this exploration is perhaps the one which
requires, for the simplicity of the data involved, the greatest exercise
of the abstract imagination, and on this account is well worth patient
attention. The first steps are very simple. We must imagine a finite
straight line to generate a square by moving on the plane of the paper,
and this square in its turn to generate a cube by moving vertically
upwards. Fig. 1 represents a straight line; Fig. 2 represents a square
formed by the motion of that straight line; Fig. 3 represents
perspectively a cube formed by the motion of that square A B C D
upwards. It would be well, instead of using figure 3, to place a cube on
the paper. Its base would be A B C D, its upper surface E F G H.
[Illustration: Generating a line, square, and cube.]
The straight line A B gives rise to the square A B C D by a movement at
right angles to itself. If motion be confined to the straight line A B,
a backward and forward motion is the only one possible. No sideway
motion is admissible. And if we suppose a being to exist which could
only move in the straight line A B, it would have no idea of any other
movement than to and fro. The square A B C D is formed from the straight
line by a movement in a direction entirely different from the direction
which exists in A B. This motion is not expressible by means of any
possible motion in A B. A being which existed in A B, and whose
experience was limited to what could occur in A B, would not be able to
understand the instructions we should give to make A B trace out the
figure A B C D.
Public-domain text, read in full here on John Shaqi.
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