These words fell upon John's ears as music. It was a spell upon him,
something that took him into a realm of wonderful sounds and visions.
On that walk home, he plied the poet with questions, and Keats,
Shelley, Browning and Byron became more than mere names. He learned
how they had lived, of Byron's picturesque, turbulent career; of
Shelley's passion for reform; of Keats' struggle against disease and
the burning ardour for the glory that was Greece. And then Steer
told him of living men who were writing. "But don't meet them if you
can help," he advised. "You should never meet authors of the books
you admire--they have conserved their best moments in a few pages,
and they cannot live up to your expectations--and authors, too, are
not the pleasantest of mankind. There is sufficient egotism in a
room full of them to lift St. Paul's to the top of Everest."
"But you're a poet yourself, Mr. Steer--and you're not at all
objectionable!" said John laughingly.
"Perhaps that's why I'm such a bad one," answered Steer. They had
now overtaken the others and Vernley, looking round, noticed John's
excited manner.
"Whatever's stirred you up, Scissors?" he asked. "You look as if
you'd found a gold mine!"
"Mr. Steer's been telling me about the poets. Oh, Verney, I'd no
idea they were such a ripping set. Have you got a Wordsworth at
home?"
"Yes--but you haven't come here to read that stuff--you'll have to
read it when you get at your 'remove'--a horrible old man, always
grousing about some 'divine, far-off event'--no, that's Tennyson.
How does it run? I've got it--
_a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns
And the round ocean and the living air--_"
"That's beautiful, it's--" exclaimed John.
"I call it utter tosh. Parse and analyse. Subject; there isn't one,
predicate; find it if you can; object--Good Lord, why don't these
fellows write sense? Whoever saw a round ocean?"
"But that isn't what he meant--you mustn't take it pictorially."
"Bravo, John, you've got the sense of it," interjected Steer.
"Bobbie's attempted to analyse it,--that's fatal."
Vernley stared at John curiously for a moment, amazed at his friend's
enthusiasm, then--
"You are a rum beggar, Scissors; I believe you'd like to write stuff
like that yourself."
"Perhaps he will--alas," sighed Steer.
"Why do you say 'alas'?" asked John. "You're not at all sad, you're
quite jolly and--"
"You can play tennis, sir," added Vernley in a consolatory voice.
II
Public-domain text, read in full here on John Shaqi.
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