Dawson (Yukon) -- Drama; Man-woman relationships -- Drama; Social classes -- Drama
Yes, Mrs. Eppingwell. Why, when I'm with her, I think there's nothing
like her under the sun. I feel like going out and killing her husband
just to get her.
FREDA
_(Seductively.)_
And when you are with me, Floyd?
_(Vanderlip reaches out impulsively and draws her to him. Her head
rests on his shoulder. She snuggles in to him in a contented way, her
hand petting his. He buries his face in her hair. The scent of her
hair gets into his brain and maddens him. He disengages hand from hers
and slips it gradually up her bare arm. His other arm, about waist and
shoulder, draws her closely against him. All the while, however, they
are occupying their respective chairs. They remain this way for a long
moment or so, his hand still progressing up her bare arm.)_
FREDA
_(Tearing herself suddenly loose from him and holding him from her at
arms' length, tragically.)_
Floyd! Floyd! I want to go away--out of the land--anywhere!--anywhere!
VANDERLIP
_(Soothingly.)_
Dear Freda.
FREDA
I am tired, tired, so tired of it all. I--I--
_(Voice breaking.)_
--I think I shall cry.
VANDERLIP
_(Gently and soothingly drawing her to him.)_
There, there, little woman. Brace up, buck up, don't give in.
FREDA
_(Slowly disengaging herself and gently holding him off at arm's
length.)_
I've been running over in my mind the men I know, and reached the
conclusion that... that...
VANDERLIP
_(Beaming with self-complacency.)_
I was the likeliest of the lot.
FREDA
_(Quickly.)_
No, not that, but... but... that I liked you best of all.
VANDERLIP
_(Drawing her to him.)_
Dear Freda.
FREDA
Dear Floyd.
_(Door on right opens. They break away from each other and assume
a more decorous position. Maid enters, bearing tray, on which are
chafing-dish, dishes, napkins, etc., and a quart bottle of champagne.
She sets tray on table. Freda serves Cupid's stew to Vanderlip, while
Maid, a little to rear, is wrestling with champagne bottle.)_
VANDERLIP
_(Who has not noticed champagne bottle, aroused by popping of cork and
turning around quickly, simulating a person roused from sleep, rubbing
his eyes, etc.)_
Wake me up, somebody. I'm dreaming. Pinch me.
_(Takes hold of bottle, Maid still retaining her hold, and looks at
it.)_
The real thing.
_(Releases bottle and looks admiringly at Freda.)_
Freda, you're a peach. There isn't another bottle in the Klondike.
FREDA
Oh, yes, there is.
VANDERLIP
_(Incredulously.)_
You've got to show me.
FREDA
I've three dozen in the store-room--_(Turning to Maid.)_
Isn't that right, Minnie?
MAID
And two over. I counted them this afternoon.
VANDERLIP
_(Awe-stricken.)_
Gosh!
FREDA
All right, Minnie. You may go now.
_(Maid goes out to right.)_
_(Vanderlip begins eating Cupid's stew. Shows that he is pleased with
it. Freda watches him, herself eating. Glances at clock, and listens.
She seems to hear something. Puts down her plate on table. A knock is
heard on door at rear. Freda rises, goes swiftly to rear, and opens
door.)_
Public-domain text, read in full here on John Shaqi.
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