Dawson (Yukon) -- Drama; Man-woman relationships -- Drama; Social classes -- Drama
I suppose it's nice in palaces--for a time. But one would soon tire.
The world is good, but life should be many-sided. The way we'll do
it will be to rough and knock about for a while, and then rest up
somewhere.
_(Vanderlip begins to lean forward, interested.)_
Off to the South Seas on a yacht, then, say a nibble of Paris.
VANDERLIP
_(Gleefully.)_
Paris!
FREDA
Then a winter in South America, and a summer in Norway--
VANDERLIP
_(Interrupting.)_
I always wanted a look-see, at South America.
FREDA
A few months in England--
VANDERLIP
_(Interrupting.)_
Good society?
FREDA
Certainly. And then, heigho! for the dogs and the sleds and the Hudson
Bay Country!
VANDERLIP
_(Half rising, enthusiastically.)_
Freda, you were made for me! It's just the life I want. I couldn't
have hit it off better myself if I'd tried. The way you put it--a bit
of this, and a bit of that--variety, you know--that's me.
FREDA
That's it, variety, change. A strong man like you, full of vitality
and go, could not possibly stand a palace for a year.
_(He shakes his head.)_
It's all very well for effeminate men, but you weren't made for such a
life. You are masculine, intensely masculine.
VANDERLIP
_(Taking her hand and beginning to draw her toward him.)_
Do you think so?
FREDA
_(Yielding herself.)_
It doesn't require thinking. I know. Have you ever noticed that it was
easy to make women care for you?
VANDERLIP
_(Superbly innocent, yet showing by his expression that he agrees with
her.)_
Oh, I don't know.
FREDA
You know it is so.
VANDERLIP
Well, for the sake of argument, yes.
FREDA
It is very easy. And why?
VANDERLIP
_(Still playing innocent.)_
Darned if I know.
FREDA
_(Impressively.)_
Because you are masculine. You strike the deepest chords of a woman's
heart. Woman is weak. You are a wall of strength to her. You are
something to cling to--big-muscled, strong, and brave. In short,
because you are a _man_.
_(He folds her to him.)_
Dear, dear Floyd!
_(She lies in his arms a long moment, both still on their respective
chairs. Then she slowly and gently disengages herself, at the same
time stealing a glance at the clock.)_
VANDERLIP
_(Holding up her arm and studying it for a moment.)_
How much do you weigh, Freda?
FREDA
_(Smiling.)_
What now?
VANDERLIP
I just wanted to know.
FREDA
But why?
VANDERLIP
Oh, nothing, I was just thinking you were not the kind to put on fat?
FREDA
_(Decisively.)_ Well, I think not!
VANDERLIP
_(Suddenly, by her hands, lifts her to her feet and thrusts her
several steps away from him, then, sinking back in chair and running
his eyes critically over her)_ Your lines _are_ good.
FREDA
_(Lightly)_
Think so?
VANDERLIP
You just bet I do.
_(Jubilantly)_
_You'll_ never get fat!
FREDA
_(Coming to his chair and rumpling his hair.)_
No, thank goodness, I wasn't born that way.
VANDERLIP
_(Beginning pompously)_
Now some women--
FREDA
_(Interrupting)_
The Lisznayi, for example.
VANDERLIP
Public-domain text, read in full here on John Shaqi.
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