Dawson (Yukon) -- Drama; Man-woman relationships -- Drama; Social classes -- Drama
Look here, Freda, I'm a fool. I know it. I was a fool there in that
chair. You put it all over me. You women all make a fool of me. I
don't think quick. I'm not used to it, I guess. My tongue is awkward.
I can't think of bright things to say, or the right things to say. And
I believe what is said to me. And then I like women, too. I can't help
it. I was born that way. I just like them, and they take advantage of
me--
FREDA
_(Interrupting.)_
Won't you let go of me and sit down?
VANDERLIP
_(Ignoring her.)_
Why do they take advantage of me?
_(Freda shrugs her shoulders.)_
Because I am a fool. Because I am playing their game and don't know
how to play it. They know how to play it. They ought to know--it is
their game. A man's a fool to buck another man's game. The percentage
is all in favor of the house. And a man is a bigger fool to buck a
woman's game. And I've been dead soft and easy. I know it. I've played
your game and you've tied knots in me...
_(He pauses, as though debating the next thing to say.)_
FREDA
_(Lightly.)_
I must say you are untying the knots fast.
VANDERLIP
_(With touch of anger.)_
I'm untying nothing. I'm going to begin tying. What I'm going to do is
to play my game, and you're going to play it with me, my lady.
_(His speech grows slow and clear again.)_ Do you know what my game
is?
_(Freda shakes her head.)_
It's not palavering, and being society-monkey, and ducking, and
bowing, and scraping, and giving crooked talk, and saying smart
things, and that sort of stuff. It's just this--
_(He takes hold of her other arm with other hand, and puts the
pressure on with both hands. At first she merely winces but he grips
until she cries aloud in pain. Maid shows alarm for first time, and
starts hastily forward.)_
That's it. Muscle's my game--the only game I can play, and I've been a
fool to go out of my class.
MAID
_(Interrupting, to Freda.)_
What shall I do?
FREDA
Nothing. It is all right.
MAID
Shall I go for help?
FREDA
No, no.
_(To Vanderlip.)_
Let go of me, Floyd. You are crushing my arms.
VANDERLIP
_(Laughing savagely.)_
Did you let go when you crushed me?
FREDA
_(With blaze of defiance.)_
You coward!
VANDERLIP
_(Savagely.)_
Were you less coward when you beat me down to my knees with your
woman's wit, your woman's beauty, your woman's weapons? Your face is
beautiful. Your body is beautiful. With these have you drawn me to
you, making yourself soft and yielding, so that at a distance the very
feel of you was soft and yielding--
_(With scorn.)_
Public-domain text, read in full here on John Shaqi.
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