the eyes is a round disc, sunk in the metal, which has probably been filled with enamel. The upper part of the head and neck is ornamented with raised trumpet-shaped scrolls, and about three inches behind the terminal head there is a simulation of a second head, the eyes of which are also set with blue glass. Speaking of it as a work of art, Sir Henry Ellis unhesitatingly calls it Roman work of the very best period, while Sir Thomas Dick Lauder observes that its workmanship is most beautiful. The taste which it displays, he says, is exquisite, and the detail executed with the greatest delicacy. And he further remarks that the natural form of the serpent has not been servilely and awkwardly copied, “as one might expect that a workman in an infant state of society would have done.” But there is nothing in the character of the work, or in the nature of the art, to suggest that the workman belonged to an infant state of society. The technical skill displayed in modelling and casting such a difficult piece of work is undoubtedly of a very high order, and he would be considered a good workman to-day who could turn out an equally well finished casting of the kind. As to the design of the decoration there can be but one opinion. It possesses the merits of originality of conception, boldness of treatment, purity of style, and freedom of execution. It is decoration, also, of that complex kind which unites the effects of colour with those of form, and deals harmoniously with the results of such diverse processes as modelling in relief, chasing and engraving, the setting of jewels, and the fixing of enamels. The qualities of brain and hand that conceived and executed this piece of metal-work are not to be estimated solely by the results they have obtained in this single example. The man who did this was capable of much higher work if higher work had come in his way, and this solitary specimen of the work of an unknown artist is at least as interesting for the potentiality which it reveals as for the actual ability which it so clearly displays. [Illustration: Fig. 137.—Bronze Armlet found in the sands of Culbin, Elginshire. Back view.] [Illustration: Fig. 138.—Bronze Armlet found at Pitalpin, near Dundee.]