[Illustration: MAP SHOWING LOCALITIES MENTIONED IN "THE LADY OF THE
LAKE"]
ECLECTIC ENGLISH CLASSICS
SCOTT'S
LADY OF THE LAKE
EDITED BY
HELEN E. BACON
DEPARTMENT OF ENGLISH, WADLEIGH HIGH SCHOOL
NEW YORK CITY
NEW YORK - CINCINNATI - CHICAGO
AMERICAN BOOK COMPANY
Copyright, 1893 and 1910, by
AMERICAN BOOK COMPANY
LADY OF LAKE
W. P. 1
INTRODUCTION.
Walter Scott, the ninth of a family of twelve children, was born at
Edinburgh in August, 1771. His first consciousness of existence dated
from the time when he was sent, a lame, delicate child, to Sandyknowe,
the residence of his paternal grandfather. Here he "was often carried
out and laid down beside the old shepherd among the crags or rocks
round which he fed his sheep." If Scott's genius was late in flowering,
who can say that the budding did not begin in that early, close
companionship with the Highland country which he was to reproduce so
vividly in his verse and fiction?
With strength increased by open-air life, although still slightly lame,
we find him later a sturdy, active, not over-studious boy at school at
Edinburgh and Kelso, and at fifteen beginning in his father's office
the legal studies which he continued at the university.
Referring to the time after leaving the high school, when he made the
acquaintance of Tasso's "Jerusalem Delivered," Percy's "Reliques,"
and the best works of English fiction, Scott says, "To this period I
can trace distinctly the awakening of that delightful feeling for the
beauties of natural objects which has never deserted me. From this time
the love of natural beauty, more especially when combined with ancient
ruins or remains of our fathers' piety or splendor, became within me
an insatiable passion, which, if circumstances had permitted, I would
willingly have gratified by traveling half over the globe."
His gigantic memory had always appropriated most eagerly the heroic and
romantic elements of verse, tale, and history, from the days when, a
child, he read Pope's translation of Homer aloud to his mother, to the
time when he hunted ballads and chased traditions with the keen zest of
a scholar and an antiquary.
The first notable outcome of these researches was his "Minstrelsy of
the Scottish Border," published in 1802. To this collection of ancient
Border ballads, which he had spent years in collecting, were added some
spirited new ones which he had deftly shaped to the old models. This
form of poetic expression was especially suited to the genius of Scott,
and the class of subjects to which it was usually adapted had long been
the object of his enthusiastic study.
Public-domain text, read in full here on John Shaqi.
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