The fate of the Celt in the Highlands has been far different. There he
has found himself in a region of mountains too rugged and lofty for
cultivation, save along their bases, and too continuous to permit easy
access from one district to another, yet not sufficiently impassable
to prevent the sudden irruption of some hostile clan of mountaineers,
carrying with it slaughter and spoliation. Shut in among long, narrow,
and deep glens, he has cultivated their strips of alluvium, but has
too often found the thin stony soil to yield but a poor return for his
labour. For many a long century he had to defend his flocks and herds
from the wolf, the fox, and the wild cat.[44] The gloom of his valleys
is deepened by the canopy of cloud which for so large a part of the
year rests upon the mountain-ridges and cuts off the light and heat of
the sun. Hence his harvests are often thrown into the late autumn, and
in many a season his thin and scanty crops rot on the ground, leaving
him face to face with starvation and an inclement winter. Under these
adverse conditions he could hardly fail to become more or less subdued
and grim. But he has likewise been exposed, more irresistibly than his
fellow-countrymen of the Lowlands, to the misguided solicitude and
sombre fanaticism of kirk-sessions and Presbyteries. His tales, his
legends, and his superstitions have been derided by his ecclesiastical
guides as foolish fables; his songs, his instrumental music, and
his dances, have been stigmatised as vain and unworthy exhibitions,
his musical instruments have been broken and burnt. His natural and
innocent ebullitions of joy and mirth have been checked and repressed
as unbecoming in a being who is journeying onward to eternity.
[Sidenote: HIGHLAND CHARACTER]
Public-domain text, read in full here on John Shaqi.
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