It is not always easy to secure a precentor. He must, in the first
place, be a man of tried good character, and in the second place, he
must of course be able to distinguish the metres of the psalms, and
have voice and ear enough to raise at least three or four psalm-tunes.
His repertoire is seldom much more extensive. Occasionally he begins
a tune that will not suit the metre of the psalm, or he loses himself
altogether. A precentor in the north Highlands to whom this happened,
suddenly stopped and exclaimed, ‘Och, bless me, I’m aff the tune
again.’ Another more sedate worthy struck up the tune three times,
but always lost it at the second line. He paused, looked round the
congregation, and after solemnly saying ‘Hoots, toots, toots,’ went
at it the fourth time successfully. When the precentor at Peebles had
failed twice in his efforts, the old minister looked over the pulpit
and said aloud to him, ‘Archie, try it again, and if ye canna manage
it, tak’ anither tune.’
A precentor is naturally jealous of any more practised and clearer
voice than his own, which, he rightly thinks, ought to predominate. In
the little Free Church of Raasay Island, the precentor had it all his
own way until the minister’s sister came. She sat at the far end of
the church, and, having some knowledge of music and a good voice, she
made herself well heard as she sang in much quicker time than the slow
drawl to which the people had been accustomed. Before the precentor
had done a line she was ready to begin the next, and the half of the
congregation nearest to her followed her excellent lead. This was too
much for the precentor. He raised his voice till it almost cracked with
the strain, and for a few notes drowned the rival performer at the
other end. But he could not keep it up, and as his notes dropped, the
clear sweet voice of the lady came out as before. Sitting about the
middle of the church, I was able to appreciate the strange see-saw in
the psalmody.
Public-domain text, read in full here on John Shaqi.
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