Scribner's Magazine, Volume 26, August 1899Various
General
Scribner's Magazine, Volume 26, August 1899
Various
American periodicals
It cheered Deborah amazingly, and the audience, which burst in at eight
o'clock, caused her to clasp her hands. It was chiefly composed of
men—laborers, chestnut venders, and bootblacks, with swarthy skins,
gleaming eyes, and gleaming teeth. They rushed, shouting, down the single
aisle, sprang over settees, scrambled and pushed to win the seats nearest
the stage. In three minutes the theatre was a bewilderment of bobbing
heads and active hands, and a tumult of voices and laughter. Not a seat
was vacant except those upon our settee. The Italians had respected the
presence of strangers. The men in front of us and on either hand turned
about to greet the American lady and to smile a welcome.
Deborah returned every smile and every bow. Her eyes were bright with
excitement.
"How nice they are! How polite!" she exclaimed. Presently she laid a
clinging hand upon my arm.
"How can I ever thank you," she whispered, "for bringing me here!"
I tried to tell her by a look, but her attention was not for me.
"See," she went on, "see the faun!"
A slender boy appeared in the proscenium doorway. His hair clustered
about deep red cheeks, and his great dark eyes looked mournfully over
the house. I fancied he was seeking someone. The audience hailed him with
applause and he descended two or three steps to the street-piano, which
served as orchestra, and began to turn the crank. Deborah started, raised
eyebrows of dismay, and pressed her hands over her ears. Never before
had she heard the Intermezzo from Cavalleria rendered by a street-piano
in a twenty by forty foot room.
[Illustration: She wheeled about and stamped her foot. "Silence, pigs!"
she screamed.]
Beatrice, appearing at my side, evidently perceived the gesture. Her
face turned crimson and she drew herself up proudly.
"Gaiterno!" she called, "stop that noise."
The boy paused, and, still bent over at the lower curve of his stroke,
turned an astonished face toward us. The chatter from the seats hushed.
"Stop the music," repeated Beatrice, imperiously.
A grumble sounded in the rear and increased from seat to seat until it
was a growl. The corners of Beatrice's mouth curled up like those of an
angry cat. She wheeled about and stamped her foot.
"Silence, pigs!" she screamed.
The tumult fell away. For a moment the girl stood poised as if ready to
spring, and then turned, and, in the hush passed beyond us to a seat at
Deborah's farther side. My companion shrank slightly toward me and once
more laid a hand upon my arm. Her face was turned toward Beatrice, whose
color had died down and whose eyes were perfectly indifferent.
The raising of the curtain put an end to the strain. The audience,
forgetting their disappointment, bent excited faces toward the stage,
and so, after a few moments, did Deborah.
Public-domain text, read in full here on John Shaqi.
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