At the top of the Column of Progress where the sea-wind blows thru his locks, stands the Adventurous Bowman, the symbol of achievement. At the base of the column are seen figures representing the progress of men thru life. We watch them file past, but it is with this man of splendid daring, of consummate achievement, that we are most concerned. He has striven and has reached the top. He has only just pulled the chord of his bow, and his arrow has sped on. With confident eye he looks to see it hit the mark. The laurel wreath and palm of victory await his efforts. Pan Sherry Fry, Sculptor You cannot look upon this little figure without feeling that he is inimitably charming. Pan, a god of the woodland, the symbol of the festive side of the Exposition, sits among the shrubs in front of Festival Hall. He has selected a marble capital on which to sit - quick reminder of those classic days when he roamed the Greek glades. Over the cold seat he has spread his fawn-skin. He has just been moving his lips over the pan-pipes, but a rustle among the leaves has caused him to pause in his melody. In the grass he sees a lizard which is as intent on Pan as Pan is on him. Care-free Pan with pointed ear and horned brow, we love thee, for dost thou not give us all our jollity and fun, the tonic for our daily walks! Air Robert Ingersoll Aitken, Sculptor Robert Ingersoll Aitken has added to the cosmical meaning of the Court of the Universe his four elements - monumental, horizontal compositions of pronounced decorative effect. Air is the one of finest poetic feeling. She holds the star to her ear and listens to the music of the spheres. The eagle, the symbol of the air, is used with finely balanced effect. On her back are fastened wings, and man, puny man, is aiming, by attaching wings to himself, to overcome her - a subtle suggestion of airships. The Signs of the Zodiac Herman A. MacNeil, Sculptor One of the loveliest gems of beauty in the Court of the Universe is Herman A. MacNeil's cameo frieze of gliding figures. In the centre, with wings outstretched, is Atlas, mythologically the first astronomer. Passing to left and right glide maidens, two and two, carrying their symbols - for these are the signs of the zodiac. These maids are the Hyades and Pleiades, the fourteen daughters of Atlas. It is as if the figures of some rare old Greek vase had suddenly distributed themselves along the top of the great piers. For absolute refinement, for a certain old Greek spirit in the Court of the Universe, these reliefs could not be excelled. The Fountain of Ceres Evelyn Beatrice Longman, Sculptor