Sculpture of the Exposition Palaces and Courts: Descriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San FranciscoJames, Juliet Helena Lumbard
History
Sculpture of the Exposition Palaces and Courts: Descriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San Francisco
James, Juliet Helena Lumbard
Panama-Pacific International Exposition (1915 : San Francisco, Calif.); Sculpture
The planning, the placing, the naming of all this noble sculpture has
practically been done by two men - the late Karl Bitter of New York, a
man of great executive and technical ability as well as of immense
inspiration, and A. Stirling Calder, on whom the honor for the great
bulk of the work rests. Besides acting as personal overseer for the
execution of the sculpture of the Palaces and Courts of the Exposition,
Mr. Calder has designed the Nations of the Orient, The Nations of the
Occident, The Fountain of Energy, The Stars, Column of Progress and its
sculpture, and The Oriental Flower Girl. Since the sculpture is one of
the strongest factors of this Exposition, we should extend to Mr. Calder
our heart-felt appreciation of all that he has done to help make this
Exposition such a wonderful, artistic success.
Robert Ingersoll Aitken
Robert Ingersoll Aitken was born in San Francisco in 1878. He was a
pupil of Arthur F. Mathews at the Mark Hopkins Institute of Art and
later of Douglass Tilden, the well-known California sculptor. He has
done a great deal of very strong, compelling work. The examples of his
sculpture seen at the Panama-Pacific International Exposition are of
pronounced virility and of fine composition. He is a man who excels in
technique. He has done in San Francisco the Victory for the Dewey
Monument in Union Square, the McKinley Monument, the Bret Harte Monument
and the Hall-McAllister Monument. In the Metropolitan Museum of New York
is "The Flame." At the Fine Arts Palace are a number of works from his
chisel - The Gates of Silence, the Gates' memorial, being by far the
finest.
Herbert Adams
Herbert Adams was born in Vermont in 1858. He has had many advantages,
not the least of which were the five years spent in Paris. While there
he did the beautiful bust of Adelaide Pond, who afterwards became his
wife. In 1890 he returned to America, becoming instructor in the Art
School of Pratt Institute, Brooklyn. He has done a number of works for
the Congressional Library, the Vanderbilt bronze doors of the St.
Bartholomew Church of New York, the tympan of the Madonna and Child in
the same church, a statue of William Ellery Channing and many others.
His beautiful busts of women are said to be unsurpassed even in France.
Edward Berge
Edward Berge was born at Baltimore, Maryland, in 1874. He was admitted
quite early in life to the Maryland Institute of Art, and the Rhinehart
School of Sculpture of Baltimore, following this instruction by the
usual finishing-off at Paris. He had the good fortune while in Paris to
study under the great Rodin. He won bronze medals at both the
Pan-American Exposition of 1901 and the St. Louis Exposition of 1904.
His many very interesting fountain figures seen at the Panama, Pacific
International Exposition have won deserved praise from the many who have
seen them.
Solon Borglum
Public-domain text, read in full here on John Shaqi.
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