Sculpture of the Exposition Palaces and Courts: Descriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San Francisco — John Shaqi
Sculpture of the Exposition Palaces and Courts: Descriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San FranciscoJames, Juliet Helena Lumbard
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Sculpture of the Exposition Palaces and Courts: Descriptive Notes on the Art of the Statuary at the Panama-Pacific International Exposition, San Francisco
James, Juliet Helena Lumbard
Panama-Pacific International Exposition (1915 : San Francisco, Calif.); Sculpture
The Spirit of Creation is a bisexual being, and yet you feel the spirit
and not the flesh. Its idealism is of the highest order, being largely
produced by the hood drawn far over the face, throwing such deep shadow
that personality is lost sight of and only creative force is left. High
on a mighty boulder it sits with arms raised. The word has just been
spoken and man and woman have come forth - their feet on the serpent,
the symbol of wisdom and eternity. At the rear of the group their hands
meet as if in mutual dependence, while above appear the Alpha and Omega
- "I am the beginning and the end."
The Rising Sun
Adolph Alexander Weinman, Sculptor
This fresh, strong young Sun is about to start on his journey - dawn is
soon to break upon the world. With muscles stretched, the wind blowing
through his hair, the heavenly joy of the first move expressed upon his
face, the vigor of young life pulsating through his body, he will start
the chest forward and move those outstretched wings. Let us preserve
this glorious figure for our western city. It would so admirably suggest
the new light that has been shed upon San Francisco by the Exposition of
nineteen hundred and fifteen, as well as the new light occasioned by the
opening of the Panama Canal.
Descending Night
Adolph Alexander Weinman, Sculptor
The figure on the page opposite is a beautiful lyric poem. She might be
called "A Hymn to the Night." Every line of her figure is musical, every
move suggested, rhythmical. Seen at night, she croons you a slumber
song. How subtly Mr. Weinman has told you that she comes to fold the
world within her wings - to create thru her desire a "still and
pulseless world." The muscles are all lax - the head is drooping, the
arms are closing in around the face, the wings are folding, the knees
are bending - and she too will soon sink to slumber with the world in
her arms. What a fine contrast of feeling between the tense young "Sun"
and relaxed "Descending Night."
Winter
Furio Piccirilli, Sculptor
Naked Winter stands before you. It is the period of the year when the
leaves are of the trees and the bark is splitting. After the activities
of autumn man is resting. The fruits have been gathered - the golden
apples and the purple grapes - so man's labors have ceased. It is the
period of conception. The sower has just cast forth the seed. Mother
Earth will nurture the little seed until the cold winter has passed and
the warm sunshine comes again to give each clod its "stir of might."
The Portals of El Dorado
Gertrude Vanderbilt Whitney, Sculptor
Public-domain text, read in full here on John Shaqi.
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