Before anyone could go to Roche's assistance, gallons of water had
flowed into the boat. The Italian seamen, who were leaning over the
bulwarks, screamed with amusement, until Woodleigh, grasping the
nozzle, directed the jet upwards into their faces. Then their
laughter gave place to furious gesticulations.
"Turn off!" shouted Stratton to the invisible attendant at the
hydrant.
There was no response. It was not until the Patrol Leader hoisted
himself on to the _Giuseppe Emilio's_ chain-plates and crossed her
deck and sprang ashore that the flow of water ceased.
"You said two hundred gallons," said the man, pointing to the meter
attached to the hydrant, "and you've had less than eighty."
"And at least half of that wasted," added Stratton. "Something's
wrong somewhere."
There was. Subsequent examination of the tank, which was possible by
removing a watertight cover-plate, resulted in the discovery of
Flemming's eel with its head wedged firmly in the outlet pipe.
Although its head had been half severed, the eel had contrived to
insert his tail under the deck-plate, and had prised open the metal
cover sufficiently to enable it to wriggle down the feed-pipe into
the tank. Then in a futile attempt to escape, the eel had jammed its
head into the outlet, thus preventing the water to flow.
"There's some satisfaction in finding out why the water failed,"
remarked Mr. Armitage as he retired to his cabin to change his
saturated garments.
CHAPTER VII
The New Hand
"And how did your photographs turn out, Alan?" asked Mr. Armitage,
when he reappeared on deck, none the worse for his involuntary shower
bath.
"I haven't any prints yet, sir," replied Hepburn. "The man at the
photographer's shop said he could only develop the films in the time.
Here they are, sir."
The Scoutmaster took the proferred envelope, and from it extracted
six films.
"Ah, that's good!" he exclaimed. "The 5th Weymouth Scouts on board
the _Olivette_. Bruin begging--that's capital. Lulworth Cove--rather
a large subject for so small a film, Alan. No. 4: Old Harry viewed
from seaward. You'll have a good light-and-shade effect there when
the film's printed. Hello! What in the name of creation is this--and
this?"
Mr. Armitage held up the fifth and sixth films, first longway and
then upright. Alan watched the Scoutmaster's puzzled expression with
amusement, but offered no explanation of what the negatives were
supposed to be.
"I can't make either of them out," he declared. "It might represent a
view of St. Alban's Race taken from the masthead, but I know that you
didn't go aloft, Alan. Perhaps some of the other fellows would like
to have a shot at solving the mystery."
The two films were passed round, after the general caution being
given to avoid touching or scratching the gelatine face.
"Looks like a complicated contour map," hazarded Flemming, "or fancy
furrows on a hill-side. Is it?"
Alan smiled and shook his head.
"Give it up, then," said Flemming resignedly.
Public-domain text, read in full here on John Shaqi.
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