"The oysters are cooked," said Josephine. "Five minutes for lunch!" cried the reporter. [_Note._--Confound the man! Why should he call my supper a lunch?] To _A Young Man or Woman_ in Search of the Ideal. IV. That beatific mental condition associated by my midnight visitor, the reporter, with people of alleged cultivation and æsthetic tastes, when in the presence of the beauties or marvels of nature, like sunset, mountain scenery, ocean calm and ocean storm, is doubtless a familiar experience to you. The wonder book of nature is constantly being held up by poet and painter as the source of human ideality, and all the traditions of civilization urge you to attain that degree of artistic development under the white light of which the seals of that book become loosened, and you are able to read in the evening star and the mountain torrent lessons of inspiration and truth. Next to nature in their æsthetic potency are her hand-maids, music, sculpture, letters and painting--briefly, the civilized arts, the medium by which mortals seek to woo and hold fast to beauty. We listen to the gorgeous anthems of the world's most famous composers, and our souls thrill and vibrate with emotion; life seems grand and everything possible. We stand before the greatest marbles and canvasses, and we seem to have truth within our grasp and nature almost subjugated. How exquisitely falls on the senses the sublimity of the lines _Fair as a star, when only one Is shining in the sky._ We catch a glimpse there of what we call heaven. Is there any more satisfactory occupation for a thirsty soul than to scan the fairness of the twilight heavens when the evening star shines alone and the saffron or purple glories of the departing day irradiate the west? _Noi andavam per lo vespero attenti Oltre, quanto potean gli occhi allungarsi, Contro i raggi serotini e lucenti._ So wrote Dante in immortal verse, to portray the æsthetic value of a kindred experience. I selected those lines of Wordsworth because he, of all the poets, suggests more ostensibly in his verse deliberate pursuit of the ideal. Shelley, indeed, reveals a bolder purpose to unmask the infinite, but his mood is oftener that of an audacious stormer of heaven than of a reverent seeker for perfect truth. We feel in Wordsworth a conscious intent to distill from the study of nature and of man a spiritual exhalation, which would enlighten him and enable him, by force of his poetic gifts, to enlighten us as to how best to live. When we think of him, we see him amid the exquisite scenery of his favorite lakes, walking in close communion with God; discerning the manifestations of the infinite in the mountain and the wild flower, in the splendor of the storm and the faithful doings of the humblest lives.