Idealism; United States -- Social life and customs
Your photographs, furnished as evidence of good faith in accordance
with my requirements, lie before me as I write. Yours, Number 4 (the
wife thoroughly happy in the wedded state), is suggestively typical of
American womanhood. I have merely to utilize my mind's eye in order to
behold you in the living flesh, tall, graceful, spare, and willowy;
earnest and piquant in expression, with an air which suggests both the
desire and the determination to accomplish great things, including no
less a range than the probing of the secrets of the infinite, and the
supplying of an ideal domestic dinner. Though willowy still, you have
a plumper person than before you were married, and your face has lost
the Amazonian tense look which it sometimes wore when you were a maid.
Your eyes are bright with happiness, and a shrewd humor plays about
the corners of your mouth; humor indicating, perhaps, that you find
the world less sorry and more alluring than you did in the days when,
grandly aspiring, but a little ignorant, cynical, and severe, you were
waiting for an ideal lover to come and lift you from this humdrum,
vulgar sphere to the stars. In other words, you have a drawing-room,
such as it is, and a baby such as never was, and a husband whose
faults (all of which you know) are more than balanced by his virtues,
so that you are able to love him devotedly with your eyes open, and
thus preserve your self-respect as an intelligent modern, and yet
satisfy that primal need of your nature, the capacity for adoring
affection. I see you thus in the living flesh, and I see you presently
lost in engaging thought. You are saying to yourself some such words
as these: "Everything is running smoothly. Alexander's (husband's
name) affairs are on a satisfactory financial basis; baby is well, and
has cut all her first teeth; the servants seem to be satisfied with
us; and now is my chance to do something. What shall it be?"
[_Note._--"Give an afternoon tea," ejaculated Josephine, to whom I was
reading what I had written.]
Public-domain text, read in full here on John Shaqi.
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