Interstellar travel -- Fiction; Science fiction; Space colonies -- Fiction
The line filed into a factory whose like Ross had never before seen. He
had a fair knowledge of and eye for industrial processes; it was clear
that the place was an electric-cable works. But why was the concrete
floor dangerously cracked and sloppily patched? Why was the big
enameling oven rumbling and stinking? Why were the rolling mills in a
far corner unsupplied with guards and big, easy-to-hit emergency
cutoffs? Why was the light bad and the air full of lint? Why did the
pickling tank fume and make the workers around it cough hackingly? Most
pointed of all, why did the dye vats to which Helena led him stink and
slop over?
There were grimy signs everywhere, including the isolated bay where
braiding cord was dyed the standard code colors. The signs said things
like: AGE IS A PRIVILEGE AND NOT A RIGHT. AGE MUST BE EARNED BY WORK.
GRATITUDE IS THE INDEX OF YOUR PROGRESS TO MATURITY.
Helena said girlishly as she took his arm and hooked him out of the
moving line: “Here’s Stinkville. Believe me, I’m not going to talk back
again. After all, one’s maturity is measured by one’s acceptance of
one’s environment, isn’t it?”
“Yeah,” said Ross. “Listen, Helena, have you ever heard of a place
called the Franklin Foundation?”
“No,” she said. “First you climb up here—golly! I don’t even know your
name.”
“Ross.”
“All right, Ross. First you climb up here and make sure the yarn’s
running over the rollers right; sometimes it gets twisted around and
then it breaks. Then you take one of the thermometers from the wall and
you check the vat temperature. It says right on the thermometers what it
should be for the different colors. If it’s off you turn that gas tap up
or down, just a little. Then you check the wringer rolls where the yarn
comes out. Watch your fingers when you do! The yarn comes in different
thicknesses on the same thread so you have to adjust the wringer rolls
so too much dye doesn’t get squeezed out. You can tell by the color; it
shouldn’t be lighter after it goes through the rolls. But the yarn
shouldn’t come through sloppy and drip dye on the floor while it travels
to the bobbin——”
There was some more, equally uncomplicated. He took the yellow and green
vats; she took the red and blue. They had worked in the choking stench
and heat for perhaps three hours before Ross finished one temperature
check and descended to adjust a gas tap. He found Helena, spent and
gasping, on the floor, hidden from the rest of the shop by the bulky
tanks.
“Heat knock you out?” he asked briskly. “Don’t try to talk. I’ll tote
you over by the wall away from the burners. Maybe we’ll catch a little
breeze from the windows there.” She nodded weakly.
He picked her up without too much trouble, carried her three yards or so
to the wall, still isolated from the rest of the shop. She was ripely
curved under that loose shirt, he learned. He set her down easily,
crouching himself, and did not take his hands away.
Public-domain text, read in full here on John Shaqi.
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