By all accounts it was a good fight, and the best men won. A touch of humour is added to one record wherein it is related that Richard, King of the Romans, took refuge in a windmill, wherein he was afterwards captured amid shouts of "Come out, thou bad miller." This mill stood near the old Black Horse Inn, but has long since been burnt down. Accounts vary exceedingly as to the number of the slain, some authorities giving as many as 20,000, others no more than 2,700. "Many faire ladie lose hir lord that day, And many gode bodie slayn at Leans lay. The nombre none wrote, for tell them might no man. But He that alle wote, and alle thing ses and can." (Robert Brune.) There are certain times, especially in the early hours of a fine autumn day, when the mass of old grey stone is seen rising above its vassal town through golden river mists which veil the modernities of the railway and its appurtenancies, and one feels that the battle might have taken place yesterday. Strange that this town is an important and busy railway junction and yet so little has the old-world appearance of the place suffered in consequence; here are no ugly rows of railwaymen's cottages in stark evidence on the hillsides; in actual fact the coming of the railway has added to the antiquarian and historical interest of the town, as will be seen presently. A short distance along High Street stands St. Michael's Church, which has one of the three curious round towers for which the valley of the Ouse is famous. The style of the tower is Norman, but the body of the church is of later dates. Here are some fine brasses; one is supposed to commemorate a de Warenne who died about 1380; another is to John Bradford, rector, dated 1457. The monument to Sir Nicholas Pelham (1559) has an oft-quoted punning verse-- "What time the French sought to have sacked Sea-Foord This Pelham did repel-em back aboord." St. Anne's Church is nearly a quarter of a mile farther on. The style is Transitional. There are several interesting items, including a very fine and ancient font of a "basket" pattern. Note the uncommon appearance of the capitals on the south side pillars, an ancient tomb in the chancel wall, and, not least, the doorway with Norman moulding. There is in this church a window in memory of Lower, a fitting tribute to the historian of Sussex, but his best memorial will always be that work that is still the basis of most writings on the past of the county.