Sevastopol (Ukraine) -- History -- Siege, 1854-1855 -- Fiction
The near whiz of balls and shells gives you a disagreeable impression
while you are climbing the hill, and suddenly you have an entirely
different idea from the one you recently had of the meaning of the
cannon-shots heard in the city. I do not know what placid and sweet
souvenir will suddenly shine out in your memory. Your intimate _ego_
will occupy you so actively that you will no longer think of noticing
your surroundings. You will permit yourself to be overcome by a painful
feeling of irresolution. However, the sight of a soldier who, with
extended arms, is slipping down the hill in the liquid mud, and passes
near you, running and laughing, silences your small inward voice, the
cowardly counsellor which arises in you in the presence of danger. You
straighten up in spite of yourself, you raise your head, and you, in
your turn, scale the slippery slope of the clay hill. You have scarcely
gone a step before musket-balls hum in your ears, and you ask yourself
if it would not be preferable to go under cover of the trench thrown up
parallel with the path. But the trench is full of a yellow, fetid,
liquid mud, so that you are obliged to go on in the path; all the more
since it is the way everybody goes. At the end of two hundred paces you
come out on a place surrounded by gabions, embankments, shelters,
platforms supporting enormous cast-iron cannon, and heaps of
symmetrically piled cannon-balls. These heaps of things give you the
impression of a strange and aimless disorder. Here on the battery
assembles a group of sailors; there in the middle of the enclosure lies
a dismounted cannon, half buried in the sticky mud, through which an
infantryman, musket in hand, is going to the battery, pulling out with
difficulty first one foot and then the other. Everywhere in this liquid
mud you see broken glass, unexploded shells, cannon-balls--every trace
of camp life. You seem to hear the noise of a cannon-ball falling only
two yards away, and from all sides come the sound of balls, which
sometimes hum like bees, sometimes groan and split the air, which
vibrates like a violin-string, the whole dominated by the sinister
rumbling of cannon, which shakes you from head to foot and fills you
with terror.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account