Sevastopol (Ukraine) -- History -- Siege, 1854-1855 -- Fiction
It is very possible that the officer, either through vanity or simply,
without reflection, to amuse himself, will be willing to have them fire
for you. At his order the captain of the gun and the men, fourteen
sailors all told, gayly approach the cannon to load it, some chewing
biscuit, others cramming their short pipes in their pockets, while their
hobnailed shoes clatter on the platform. Notice the faces of these men,
their bearing, their movements, and you will recognize in each of the
wrinkles of their sunburned faces with high cheek-bones, in each muscle,
in the breadth of the shoulders, in the thickness of the feet shod with
colossal boots, in each calm and bold gesture, the principal elements
that make up the strength of Russia--simplicity and obstinacy. You will
also see that danger, misery, and suffering in the war will have
imprinted on these faces the consciousness of their dignity, of high
thoughts, of a sentiment.
Suddenly a deafening noise makes you quake from head to foot. You hear
at the same instant the shot whistling away, while a thick powder-smoke
envelops the platform and the black figures of sailors moving about.
Listen to their conversation, notice their animation, and you will
discover among them a feeling which you would not expect to meet--that
of hatred of the enemy, of vengeance. “It fell straight into the
embrasure; two killed. Look! they are carrying them away,” and they
shout for joy. “But he is getting angry now, he is going to hit back,”
says a voice, and in truth you see at the same instant a flash and
spurting smoke, and the sentinel on the parapet calls, “Cannon!” A ball
whizzes in your ears and buries itself in the ground, digging it up and
casting around a shower of earth and stones. The commander of the
battery gets angry, renews the order to load a second, a third gun. The
enemy replies, and you experience interesting sensations. The sentinel
again calls, “Cannon!” and the same sound, the same blow, and the same
throwing up of earth are repeated. If, on the other hand, he cries,
“Mortar!” you will be struck by a regular, not disagreeable hissing,
which has no connection in your mind with anything terrible. It comes
nearer and with greater rapidity. You see the black ball fall to the
ground, and the bomb-shell burst with a metallic cracking. The pieces
fly in air, whistling and screeching; stones hit each other, and mud
splashes over you. You feel a strange mixture of pleasure and fright at
these different sounds. At the instant the projectile reaches you, you
invariably think it will kill you. But pride keeps you up, and no one
notices the dagger that is digging into your heart. So when it has
passed without grazing you, you live again; for an instant a feeling of
indescribable sweetness possesses you to such a degree that you find a
special charm in danger, in the game of life and death. You would like
to have a ball or a shell fall nearer, very near you. But the sentinel
Public-domain text, read in full here on John Shaqi.
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