"Sleep, oh, sleep!
The Shepherd loveth His sheep.
He that guardeth His flock the best
Hath folded them to His loving breast;
So sleep ye now, and take your rest,--
Sleep, oh, sleep!"
From angel and from flower the years have learned that soothing song,
And with its heavenly music speed the days and nights along;
So through all time, whose flight the Shepherd's vigils glorify,
God's Acre slumbereth in the grace of that sweet lullaby,--
"Sleep, oh, sleep!
The Shepherd loveth His sheep.
Fast speedeth the night away,
Soon cometh the glorious day;
Sleep, weary ones, while ye may,--
Sleep, oh, sleep!"
DEAR OLD LONDON.
WHEN I was broke in London in the fall of '89,
I chanced to spy in Oxford Street this tantalizing sign,--
"A Splendid Horace cheap for Cash!" Of course I had to look
Upon the vaunted bargain, and it was a noble book!
A finer one I've never seen, nor can I hope to see,--
The first edition, richly bound, and clean as clean can be;
And, just to think, for three-pounds-ten I might have had that Pine,
When I was broke in London in the fall of '89!
Down at Noseda's, in the Strand, I found, one fateful day,
A portrait that I pined for as only maniac may,--
A print of Madame Vestris (she flourished years ago,
Was Bartolozzi's daughter and a thoroughbred, you know).
A clean and handsome print it was, and cheap at thirty bob,--
That's what I told the salesman, as I choked a rising sob;
But I hung around Noseda's as it were a holy shrine,
When I was broke in London in the fall of '89.
At Davey's, in Great Russell Street, were autographs galore,
And Mr. Davey used to let me con that precious store.
Sometimes I read what warriors wrote, sometimes a king's command,
But oftener still a poet's verse, writ in a meagre hand.
Lamb, Byron, Addison, and Burns, Pope, Johnson, Swift, and Scott,--
It needed but a paltry sum to comprehend the lot;
Yet, though Friend Davey marked 'em down, what could I but decline?
For I was broke in London in the fall of '89.
Of antique swords and spears I saw a vast and dazzling heap
That Curio Fenton offered me at prices passing cheap;
And, oh, the quaint old bureaus, and the warming-pans of brass,
And the lovely hideous freaks I found in pewter and in glass!
And, oh, the sideboards, candlesticks, the cracked old china plates,
The clocks and spoons from Amsterdam that antedate all dates!
Of such superb monstrosities I found an endless mine
When I was broke in London in the fall of '89.
Public-domain text, read in full here on John Shaqi.
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