George Marden--BEN WEBSTER.
Olivia--IRENE VANBRUGH.
Dinah--GEORGETTE COHAN.
Lady Marden--ETHEL GRIFFIES.
Brian Strange--LESLIE HOWARD.
Carraway Pim--DION BOUCICAULT.
Anne--ETHEL WELLESLEY.
MR. PIM PASSES BY
ACT I
(The morning-room at Marden House (Buckinghamshire) decided more than
a hundred years ago that it was all right, and has not bothered about
itself since. Visitors to the house have called the result such
different adjectives as "mellow" "old-fashioned," "charming"--even
"baronial" and "antique"; but nobody ever said it was "exciting."
Sometimes OLIVIA wants it to be more exciting, and last week she let
herself go over some new curtains. At present they are folded up and
waiting for her; she still has the rings to put on. It is obvious that
the curtains alone will overdo the excitement; they will have to be
harmonised with a new carpet and cushions. OLIVIA has her eye on just
the things, but one has to go carefully with GEORGE. What was good
enough for his great-great-grandfather is good enough for him.
However, we can trust OLIVIA to see him through it, although it may
take time.)
(There are two ways of coming into the room; by the open windows
leading from the terrace or by the door. On this pleasant July morning
MR. PIM chooses the latter way--or rather ANNE chooses it for him; and
old MR. PIM, wistful, kindly, gentle, little MR. PIM, living in some
world of his own whither we cannot follow, ambles after her.)
ANNE. I'll tell Mr. Marden you're here, sir. Mr. Pim, isn't it?
PIM (coming back to this world). Yes--er--Mr. Carraway Pim. He doesn't
know me, you understand, but if he could just see me for a
moment--er--(He fumbles in his pockets) I gave you that letter?
ANNE. Yes, sir, I'll give it to him.
PIM (bringing out a letter which is not the one he was looking for,
but which reminds him of something else he has forgotten). Dear me!
ANNE. Yes, sir?
PIM. I ought to have sent a telegram, but I can do it on my way back.
You have a telegraph office in the village?
ANNE. Oh yes, sir. If you turn to the left when you get outside the
gates, it isn't more than a hundred yards down the hill.
PIM. Thank you, thank you. Very stupid of me to have forgotten.
[ANNE goes out.
(MR. PIM wanders about the room humming to himself, and looking
vaguely at the pictures. He has his back to the door as DINAH comes
in. She is nineteen, very pretty, very happy, and full of boyish high
spirits and conversation.)
DINAH. Hullo!
PIM (turning round). Ah, good morning, Mrs. Marden. You must forgive
my--er--
DINAH. Oh I say, I'm not Mrs. Marden. I'm Dinah.
PIM (with a bow). Then I will say, Good morning, Miss Diana.
DINAH (reproachfully). Now, look here, if you and I are going to be
friends you mustn't do that. Dinah, _not_ Diana. Do remember it,
there's a good man, because I get so tired of correcting people. Have
you come to stay with us?
PIM. Well no, Miss--er--Dinah.
Public-domain text, read in full here on John Shaqi.
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