I must have been devoid of taste and feeling, if in viewing the
exquisite scenery of the park, I had not forgotten the gloomy entrance
and the dreary building. I found a seat on the margin of that fine sheet
of water which is skirted by _your_ majestic wood; and I rested there
till twilight began to spread itself over the horizon. Who would not,
Sibella, although evening had cast its misty shade over the tall trees
and impressed an awful serenity on every surrounding object, who
would not, I say, like me have ventured into the wood rather than have
returned to Mr. and Mrs. Valmont and their castle. I found the paths so
admirably contrived in their breaks and windings, that I could not
forbid myself to proceed. Every now and then I had an imperfect view of
something dark, rugged, and mountainous. On a sudden, I caught a glimpse
of a rude pile of stones, seemingly carried to a tremendous height,
which as suddenly vanished from my sight, amidst the intercepting
branches; a few steps further, it was again before me as a wild ruin
tottering on the projecting point of a rock. Silence, solitude, the
twilight, the objects filled my mind with a species of melancholy. Fancy
had become more predominant than judgment. I slackened my pace: I
breathed heavily: when, suddenly turning into a new path that I expected
would bring me to the foot of the rock, I beheld a female form, clothed
in white, seated at the foot of a large oak. Her hair, unrestrained by
either hat or cap, entirely shaded her face as she bowed her head to
look on a little fawn, who in the attitude of confidence and affection
was laying across her lap.
The names of Wood Nymph, Dryad and Hymadriad, with a confused number of
images, arose in my memory; and I was on the point of reverently
retreating, but a moment's pause prevented the romance of the fence from
thus imposing on my reason, and I resolved to examine whether the face
like the form bespoke more of divinity than of mortal.
As I approached nearer, away bounded the fawn--up sprang the nymph.
Again, Sibella, I stood still, unknowing whether to fall at your feet or
to clasp you in my arms.
Such was our first romantic interview. There was something wild in your
air; your language was simple and concise, yet delivered with an
impressive eloquence, and I thought you altogether a phenomenon. My
heart could not help partaking the transport with which you received my
promise of staying with you in the wood. Yet it was to me
incomprehensible how you could talk so familiarly of roaming in woods at
night, without seeming to know any thing of the ideas of loneliness and
apprehension generally supposed to belong to such situations.
Public-domain text, read in full here on John Shaqi.
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