"You might also tell him that she can't possibly last out the night."
Crane's dry objective voice went into quiet silence as he replaced the
phone on its cradle.
* * * * *
Tom hadn't heard the phone ring. I had to shake him to get his
attention. When I told him what Crane had said, he nodded as if this
was exactly what he had been expecting. "Okay, Luke, we'll go to her."
He picked up the breadboard on which his gadget was mounted.
"What are you taking that with you for?" I demanded.
"Ann worked hard helping me solve the secret of the painting," he
answered. "She deserves to see its first performance. Get yourself into
over-drive, Luke."
At the hospital, a nurse took us directly to Ann's room. Lying on the
bed, swathed in bandages, she was a mummy that did not move. Deep in
sedation now, she did not know we were present. On the far side of her
bed, whole blood was being dripped into her arm. Dr. Crane looked up
from checking her pulse as we entered. "Everything we could do to give
her strength has failed," he said.
"What about infection?" Tom asked.
The doctor gave him a sharp look as if to ask what he meant by hinting
that infection could exist in a properly run hospital. "There is no
serious infection. Her burns were so severe that she simply lacks the
strength to rally." His voice was as grim as my thoughts.
Tom set his breadboard on the foot of the bed and ran an extension cord
to an electric outlet.
"What do you have there?" Crane asked.
"A way to give her strength," Tom answered.
The doctor leaned back on his heels. He looked at the instrument, which
certainly did not impress him, and started to shake his head. Then he
looked at Tom. The headshake turned into tightly clenched lips. "I am
familiar with your reputation, Mr. Calhoun, but this--" The headshake
came back.
"There was a first time for a hypodermic injection, a time when
somebody first gave blood, a time when somebody took the first
antibiotic," Tom said.
Dr. Crane hesitated. A struggle was going on within his mind. He
moved to the bed and felt Ann's pulse. A thin trace of perspiration
appeared on his forehead. "She's dying," he whispered. "Under any other
circumstances, I would say no. But--Oh, hell, Mr. Calhoun, if you know
a way to give her strength, go ahead."
Tom closed a switch. A soft hum came from the instrument. A cone
that looked like a small transmitting antennae was mounted on the
breadboard. Tom lined up the cone so that it pointed at Ann's body. He
glanced at me. Sweat was visible on his face too. Without a word, I lit
a cigarette and gave it to him. The sweat was very clear on his face
now. Or was it tears?
"You knew all the time that Ann had no chance to get well?" I asked.
"That's why you worked so hard, on this?"
"Yes," he answered. "It was a race against time. It still is." He
turned his attention to his instruments.
Public-domain text, read in full here on John Shaqi.
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