[Footnote 56: May it not be said that real historic characters should not be misrepresented? Sir W. Scott was at full liberty to make his Varneys and his Bois Gilberts as accomplished villains as he pleased; he might do as he pleased with his own; but what warrant had he from history for painting Conrad of Montferrat and the then Master of the Templars under such odious colours as he does?] [Footnote 57: The author invariably writes _Montserrat_ for _Montferrat_. The former is in Spain, and never was a marquisate. As it were to show that it was no error of the press, it is said, "The shield of the marquis bore, in reference to his title, a serrated and rocky mountain." We also find _naphtha_ and _bitumen_ confounded, the former being described as the solid, the latter as the liquid substance.] Let not any deem it superfluous thus to point out the errors of an illustrious writer. The impressions made by his splendid pages on the youthful mind are permanent and ineffaceable, and, if not corrected, may lead to errors of a graver kind. The "Talisman" moreover affects a delusive show of truth and accuracy; for, in a note in one part of it, the author (ironically, no doubt) affects to correct the historians on a point of history. The natural inference, then, is that he has himself made profound researches, and adhered to truth; and we accordingly find another novelist, in what he terms a history of chivalry, declaring the "Talisman" to be a faithful picture of the manners of the age. Sir W. Scott, however, has himself informed us, in the preface to "Ivanhoe," of his secret for describing the manners of the times of Richard Coeur de Lion. With the chronicles of the time he joined that of Froissart, so rich in splendid pictures of chivalric life. Few readers of these romances perhaps are aware that this was the same in kind, though not in degree, as if, in his tales of the days of Elizabeth and James I., he had had recourse to the manner-painting pages of Henry Fielding; for the distance in point of time between the reign of Richard I. and that of Richard II., in which last Froissart wrote, is as great as that between the reigns of Elizabeth and George II.; and, in both, manners underwent a proportional change. But we are in the habit of regarding the middle ages as one single period of unvarying manners and institutions, and we are too apt to fancy that the descriptions of Froissart and his successors are equally applicable to all parts of it. CHAPTER X. Jellal-ed-deen--Restoration of Religion--His Harem makes the Pilgrimage to Mecca--Marries the Princess of Ghilan--Geography of the Country between Roodbar and the Caspian--Persian Romance--Zohak and Feridoon--Kei Kaoos and Roostem--Ferdoosee's Description of Mazanderan--History of the Shah Nameh--Proof of the Antiquity of the Tales contained in it.