English essays; Great Britain -- Social life and customs
Lord Acton, in one of his most impressive passages, speaks of England
as living under "institutions which incorporate tradition and prolong
the reign of the dead." But the very notion of "prolonging the reign
of the dead" is an anachronism in an age which forgets its friends the
moment it has buried them. "Out of sight, out of mind" is an adage
which nowadays verifies itself with startling rapidity. Mourning is as
much out of date as Suttee; and, as to the Widow's Cap, the admirable
Signora Vesey Neroni in "Barchester Towers" was only a little in
advance of her age when she exclaimed, "The death of twenty husbands
should not make me undergo such a penance. It is as much a relic of
paganism as the sacrifice of a Hindoo woman at the burning of her
husband's body. If not so bloody, it is quite as barbarous and quite as
useless."
In days gone by, a death in a family extinguished all festivity.
Engagements were cancelled, social plans were laid aside, and the
mourners went into retreat for a twelvemonth. Men wore black trousers;
women swathed themselves in black crape. "Mourning Jewellery"--hideous
combinations of jet and bogwood--twinkled and jingled round the necks
of the bereaved, and widows wrote on letter-paper which was virtually
black, with a small white space in the middle of the sheet. Harry
Foker, we know, honoured his father's memory by having his brougham
painted black; and I have known a lady who, when she lost her husband,
had her boudoir lined with black velvet, after the fashion of Lord
Glenallan in "The Antiquary."
But nowadays people shrink (with amiable considerateness) from thus
inflicting their griefs on their friends; and if (as we must in charity
assume) they feel emotion, they studiously conceal it in their own
bosoms. The ball follows the funeral with a celerity and a frank
joyousness which suggest a Wake; and the keen pursuers of pleasure
protest, with quite a religious air, that for their own part they would
think it absolutely wicked to sorrow as those without hope. Weedless
widows, becomingly "gowned," as Ladies' Papers say, in pale grey or
black and white, sacrifice to propriety by forswearing the Opera or the
Racecourse for twelve months or so, but find a little fresh air on the
River or at Hurlingham absolutely necessary for health; and, if they
dine out quietly or even give a little dance at home, are careful to
protest that they have lost all pleasure in life, but must struggle
to keep up for the sake of the dear children. Surely, as Master
Shallow says, "good phrases are, and ever were, very commendable."
The old-fashioned manifestations of mourning were no doubt overdone,
but the modern disregard of the dead seems to me both heartless and
indecent.
Public-domain text, read in full here on John Shaqi.
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