English essays; Great Britain -- Social life and customs
"O'er Royal London, in luxuriant May,
While lamps yet twinkle, dawning creeps the day.
Home from the hell the pale-eyed gamester steals;
Home from the ball flash jaded Beauty's wheels;
From fields suburban rolls the early cart;
So rests the Revel--so awakes the Mart."
Twenty-four years later Lord Beaconsfield, in "Lothair," gave a vivid
sketch of the same scenes as beheld by daylight:--
"Town was beginning to blaze. Broughams whirled and bright barouches
glanced, troops of social cavalry cantered and caracolled in morning
rides, and the bells of prancing ponies, lashed by delicate hands,
gingled in the laughing air. There were stoppages in Bond Street--which
seems to cap the climax of civilization, after crowded clubs and
swarming parks."
It is curious that of the two descriptions the earlier needs much less
revision than the later. Lamps still "twinkle" (though, to be sure,
they are electric, whereas when Bulwer-Lytton wrote gas had barely
ousted oil from its last fastness in Grosvenor Square). "Hells,"
though more euphemistically named, still invite the domiciliary visits
of our much-aspersed police. "Beauty" dances even more vigorously
than in 1846, for Waltzes and Kitchen-Lancers and Washington Posts
have superseded the decorous quadrilles which our mothers loved. And
still the market-gardens of Acton and Ealing and Hounslow send their
"towering squadrons" of waggons laden heavens-high with the fruits and
vegetables for to-morrow's luncheon. In this merry month of May 1906
an observer, standing at Hyde Park Corner "when the night and morning
meet," sees London substantially as Bulwer-Lytton saw it.
But, when we turn to Lord Beaconsfield's description, the changes
wrought by six-and-thirty years are curiously marked. "Bright
barouches glanced." In the present day a Barouche, the handsomest and
gracefullest of all open carriages, is as rare as an Auk's Egg or an
original Folio of Shakespeare. Only two or three survive. One, richly
dight in royal crimson, bears the Queen, beautiful as Cleopatra in her
barge. In another, almost imperially purple, Lady Londonderry sits
enthroned; a third, palely blue as the forget-me-not, carries Lady
Carysfort; but soon the tale of barouches ends. Victorias and landaus
and "Clarences" and "Sociables" make the common throng of carriages,
and their serried ranks give way to the impetuous onrush of the noxious
Motor or the milder impact of the Electric Brougham.
Public-domain text, read in full here on John Shaqi.
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