English essays; Great Britain -- Social life and customs
House, certainly the most stately event of the season; a little dance,
exquisitely gay and bright, in Piccadilly; and a gorgeous entertainment
in Prince's Gate, where the aspiring Distiller is struggling, with
enormous outlay, into social fame. All these have solicited the honour
of our young friend's presence, and now is the moment of decision. It
does not take long to repudiate Prince's Gate; there will be the best
band in London, and ortolans for supper, but there will be no one there
that one ever saw before, and it is too sickening to be called "My boy"
by that bow-windowed bounder, the master of the house. There remain
Grosvenor House and Piccadilly, and happily these can be combined in
a harmonious perfection. Grosvenor House shall come first, for the
arrival of the Prince and Princess is a pageant worth seeing--the most
gracious host and the most beautiful hostess in London ushering the
Royal guests, with courtly pomp, into the great gallery, walled with
the canvases of Rubens, which serves as the dancing-room. Then the fun
begins, and the bright hours fly swiftly, till one o'clock suggests
the tender thought of supper, which is served on gold plate and Sèvres
china in a garden-tent of Gobelins tapestry. And now it is time for a
move; and our youth, extricating himself from the undesired attentions
of the linkmen, pops into a hansom and speeds to Piccadilly, where he
finds delights of a different kind--no Royalty, no pomp, no ceremony;
but a warm welcome, and all his intimate friends, and the nicest girls
in London eager for a valse.
As day begins to peep, he drinks his crowning tumbler of champagne-cup,
and strolls home under the opalescent dawn, sniffing the fragrance
from pyramids of strawberries as they roll towards Covent Garden, and
exchanging a friendly "Good night" with the policeman on the beat, who
seems to think that "Good morning" would be a more suitable greeting.
So to bed, with the cheerful consciousness of a day's work well done,
and the even more exhilarating prospect of an unbroken succession
of such days, full of feasting and dancing and riding and polo and
lawn-tennis, till August stifles the Season with its dust and drives
the revellers to Homburg or the moors.
But I awake, and lo! it is a dream, though a dream well founded on
reality. For I have been describing the London Season as it was when
the world was young.
"When all the world is old, lad,
And all the trees are brown;
And all the sport is stale, lad,
And all the wheels run down;
Creep home, and take your place there,
The spent and maimed among:
God grant you find one face there,
You loved when all was young."
X
THE SEASON AS IT IS
That delicate critic, the late Mr. William Cory, observes in one of his
letters that Virgil's
"Sunt lacrymæ rerum, et mentem mortalia tangunt"
has its modern equivalent in Wordsworth's
"Men are we, and must grieve when even the shade
Of that which once was great is passed away."
Public-domain text, read in full here on John Shaqi.
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