Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
General
Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
Great Britain -- Description and travel; Ireland -- Description and travel
In becoming possessor of this place Dickens realized a dream of his
boyhood and ambition of his life. In one of his travelers' sketches he
introduces a "queer small boy" (himself) gazing at Gad's Hill House and
predicting his future ownership, which the author finds annoying
"because it happens to be my house and I believe what he said was true."
When at last the place was for sale, Dickens did not wait to examine it;
he never was inside the house until he went to direct its repair.
Eighteen hundred pounds was the price; a thousand more were expended for
enlargement of the grounds and alterations of the house, which, despite
his declaration that he had "stuck bits upon it in all manner of ways,"
did not greatly change it from what it was when it became the goal of
his childish aspirations. At first it was his summer residence
merely,--his wife came with him the first summer,--but three years later
he sold Tavistock House, and Gad's Hill was thenceforth his home. From
the bustle and din of the city he returned to the haunts of his boyhood
to find restful quiet and time for leisurely work among these "blessed
woods and fields" which had ever held his heart. For nine years after
the death of Dickens Gad's Hill was occupied by his oldest son; its
ownership has since twice or thrice changed.
Its elevated site and commanding view render it one of the most
conspicuous, as it is one of the most lovely, spots in Kent. The mansion
is an unpretentious, old-fashioned, two-storied structure of fourteen
rooms. Its brick walls are surmounted by Mansard roofs above which rises
a bell-turret; a pillared portico, where Dickens sat with his family on
summer evenings, shades the front entrance; wide bay-windows project
upon either side; flowers and vines clamber upon the walls, and a
delightfully home-like air pervades the place. It seems withal a modest
seat for one who left half a million dollars at his death. At the right
of the entrance-hall we see Dickens's library and study, a cosy room
shown in the picture of "The Empty Chair;" here are shelves which held
his books; the panels he decorated with counterfeit bookbacks; the nook
where perched, the mounted remains of his raven, the "Grip" of "Barnaby
Rudge." By this bay-window, whence he could look across the lawn to the
cedars beyond the highway, stood his chair and the desk where he wrote
many of the works by which the world will know him always. Behind the
study was his billiard-room, and upon the opposite side of the hall the
parlor, with the dining-room adjoining it at the back, both bedecked
with the many mirrors which delighted the master.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account