Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
General
Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
Great Britain -- Description and travel; Ireland -- Description and travel
Altho the first attempt to conquer the Eddystone had terminated so
disastrously, it was not long before another effort was made to mark the
reef. The builder this time was a Cornish laborer's son, John Rudyerd,
who had established himself in business on Ludgate Hill as a silk
mercer. In his youth he had studied civil engineering, but his friends
had small opinion of his abilities in this craft. However, he attacked
the problem boldly, and, altho his tower was a plain, business-looking
structure, it would have been impossible to conceive a design capable of
meeting the peculiar requirements of the situation more efficiently. It
"was a cone, wrought in timber, built upon a stone and wood foundation
anchored to the rock, and of great weight and strength. The top of the
cone was cut off to permit the lantern to be set in position. The result
was that externally the tower resembled the trunk of an oak tree, and
appeared to be just about as strong. It offered the minimum of
resistance to the waves, which, tumbling upon the ledge, rose and curled
around the tapering form without starting a timber.
For forty years Rudyerd's structure defied the elements, and probably
would have been standing to this day had it not possest one weak point.
It was built of wood instead of stone. Consequently, when a fire broke
out in the lantern on December 4, 1755, the flames, fanned by the
breeze, rapidly made their way downward.
No time was lost in erecting another tower on the rock, for now it was
more imperative than ever that the reef should be lighted adequately.
The third engineer was John Smeaton, who first landed on the rock to
make the surveys on April 5, 1756. He was able to stay there for only
two and a quarter hours before the rising tide drove him off, but in
that brief period he had completed the work necessary to the preparation
of his design. Wood had succumbed to the attacks of tempest and of
fire in turn.
Smeaton would use material which would defy both--Portland stone. He
also introduced a slight change in the design for such structures, and
one which has been universally copied, producing the graceful form of
lighthouse with which everyone is so familiar. Instead of causing the
sides to slope upward in the straight lines of a cone, such as Rudyerd
adopted, Smeaton preferred a slightly concave curve, so that the tower
was given a waist about half its height. He also selected the oak tree
as his guide, but one having an extensive spread of branches, wherein
will be found a shape in the trunk, so far as the broad lines are
concerned, which coincides with the form of Smeaton's lighthouse. He
chose a foundation where the rock shelved gradually to its highest
point, and dropt vertically into the water upon the opposite side. The
face of the rock was roughly trimmed to permit the foundation stones of
the tower to be laid. The base of the building was perfectly solid to
the entrance level, and each stone was dovetailed securely into
its neighbor.
Public-domain text, read in full here on John Shaqi.
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