A stone set in the outside of the church indicates the spot near which the poet is buried. I was very anxious to see the interior of the edifice, and, fortunately I found the sexton busy in the neighborhood. There was nothing, however, remarkable to be seen, after sixpence had opened the door, except perhaps the very largest pew which these eyes ever beheld. It belonged to the Penn family, descendants of drab-coated and sweet-voiced William Penn, whose seat is in the neighborhood. I do not know what that primitive Quaker would have said to such an enormous reservation of space in the house of God for the sole use and behoof of two or three aristocratic worshipers. Probably few of my readers have ever seen such a pew as that. It was not so much a pew as a room. It was literally walled off, and quite set apart from the plebeian portion of the sanctuary, was carpeted, and finished with comfortable arm-chairs, and in the middle of it was a stove. The occupants could look out and over at the altar, but the rustics could not look in and at them. The Squire might have smoked or read novels, or my lady might have worked worsted or petted her poodle through the service, without much scandal. The pew monopolized so much room that there was little left for the remainder of the "miserable offenders," but I suspect that there was quite enough for all who came to pray. For it was, as I have said, literally a country church; and those who sleep near it were peasants. It is difficult to comprehend the whole physiognomy of the poem, if I may use the expression, without seeing the spot which it commemorates. I take it for granted that the reader is familiar with it. There are "those rugged elms," and there is "that yew tree's shade." There are "the frail memorials," "with uncouth rhymes and shapeless sculpture decked;" there "the name, the years, spelt by the unlettered muse;" and the holy texts strewn round "that teach the rustic moralist to die." There is still "the ivy-mantled tower," tho the "moping owl" that evening did not "to the moon complain," partly because there was no moon to complain to, and possibly because there was no moping owl in the tower. But there was one little circumstance which I may be pardoned for mentioning. Gray, somehow, has the reputation of being an artificial poet, yet for one who wrote so little poetry he makes a good many allusions to childhood and children. As I passed through the Park on my way to the churchyard, I encountered a group of merry boys and girls playing about the base of the monument; and I recalled that verse which Gray wrote for the Elegy, and afterward discarded, under the impression that it made the parenthesis too long. There scatter'd oft, the earliest of the year, By hands unseen are showers of violets found; The redbreast loves to build and warble there, And little footsteps lightly print the ground.