Lincoln (Neb.) -- Guidebooks; Lincoln (Neb.) -- History
Tucked here and there thruout Antelope park’s pleasant spaces—179
acres—are a number of statues and memorials, results of various impulses
and circumstances. We have mentioned the pillars at the O street
entrance. Roaming southward thru the park you will find others. One of
these objects is the fountain given to the city by the late D. E.
Thompson thirty or so years ago. It was placed in the center of 11th
street a few blocks south of O. As Lincoln’s herd of automobiles grew to
thundering proportions city officials realized that the fountain, very
suitable in the days when ladies nodded to each other across it from
phaetons and victorias moving on either side, must be transplanted.
After a number of accidents, some of them truly tragic, the fountain was
taken to the park. Neptune, on one side, had been permanently crippled
and the water nymph on the other was doubtless aged in spirit.
In 1936 the Lincoln park department sponsored the putting up of a war
memorial—a marble 23-foot shaft topped by a figure in ancient
armour—spirit of war and victory. On four lower pedestals Revolutionary,
Civil war, Spanish-American and World war soldiers look out, each
leaning on his instrument of death. When Mr. Burman and the park
department planned this statue they probably had no thought that it
would be so quickly outmoded. No niche has been provided for a warrior
of the present conflict.
Another figure in the park is The Pioneer Woman, donated by the Woman’s
club and the park board. The trees along Memory garden and Memorial
drive—north of Sheridan boulevard—were planted in memory of the Lincoln
soldiers who fell in the first World war.
No. 36—Nebraska Capitol
[Illustration: {uncaptioned}]
Nebraska’s capitol, designed by Bertram Goodhue, is one of the beautiful
buildings of the world. Twenty years ago, disputatious words were
circling round its budding tower—derogatory, complimentary, acrimonious,
laudatory. But the capitol rose silently thru this swarm of words and
today stands superbly in completed perfection. Controversy has died
away, and there are probably few Nebraskans who are not proud of the
capitol’s majesty and timeless beauty.
Opening a forgotten drawer recently we came upon the dusty drawings of
Mr. Goodhue’s rivals in the capitol competition of more than twenty
years ago and found them yawn-provoking. Only the one chosen seemed
alive, rising into the sky, even on its yellowed paper background, as
tho from some inner compulsion.
The capitol has many moods. Sometimes she wraps a dark cloak somberly
about her. The next time one turns to look, she shimmers in a cloak of
light. The capitol is beautiful in all her moments—silhouetted against
the blue, against storm or twilight, or against the limitless background
of night.
No. 37—Front Entrance, Capitol
[Illustration: {uncaptioned}]
Public-domain text, read in full here on John Shaqi.
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