In another respect the lion tamer is a little more specific about lions and therefore more helpful. "It is true, though," he adds, "that you should never let one get behind you if you can help it, though in many of the acts it is not possible to keep all of them in front of you all the time." We can understand this advice, though it is not altogether clear to us just what we would do if a lion tried to get behind us. Of course, we would tell him not to, but after that we should be somewhat at a loss. We have never believed in being rough with lions. Probably we would let him have his way just to avoid argument. As a matter of fact we would have no great objection to having all our lions behind us if only we could keep far enough in front. "A lion that growls frightfully and acts very ferocious when you are outside the cage may be one of the easiest to handle and get work out of when once you are actually in the cage; and on the other hand, a lion that is mean and dangerous to do anything with in the cage may be exceptionally docile from the outside and allow you to pet him freely." This should go a long way toward solving the problems of lion tamers. All you have to do before a performance is to make a test from outside the cage. Try to pat your lion and pull his ears. If he growls and bites your hand you will know at once that you may come in and go about your business with perfect safety. On the other hand, if he meets your caresses by rolling over on his back and purring it is up to you to call off the show or send for your understudy. The unfortunate fate of such a substitute is described by Conklin with much detail and, we fear, a little relish. The man in question took Conklin's job when he struck for a raise in salary. Things went well enough during the first performance until the very end, and then it was the fault not of the lion but of the substitute, for the trainer was ignorant of one of the cues which had become a part of the act. "I had taught George to jump for me as I went out the door," writes Conklin. "It had been done by blowing on his nose and then jumping back as you would play with a dog. It always made a great hit with the crowd, who supposed it had seen a lion try to eat a man and that I had had a very narrow escape. I worked it this way: After I had finished the rest of my act I would get George all stirred up and growling. Then I would fire my pistol two or three times and jump out of the cage as quickly as I could. At the same time George would give a big lunge and come up against the door which I had just shut behind me. George had learned the trick so well that I frequently had to turn on him once or twice and work him farther back from the door before I dared attempt getting out."