In the center of the room is a small square table, the surface of which
is covered with figures ranged in curious patterns such as 2 × 5 = 10,
and even so radical an arrangement as 7 × 8 = 56. At the rise of the
curtain Peter J. Cottontail is discovered seated in an easy chair
reading the current edition of _The New York Evening Post_. He is
middle-aged and wears somewhat ill fitting brown fur, tinged with gray,
and horn-rimmed spectacles. He looks a little like Lloyd George. As a
matter of fact, his grandfather was Welsh. The actor should convey to
the audience by means of pantomime that he has made more than a thousand
dollars that afternoon by selling Amalgamated Cabbage short, and that
there will be a tidy surplus for himself even after he has fulfilled his
promise to make up the deficit incurred by the charity hop of the Bone
Dry Prohibition Union. Now and again he smiles and pats his stomach
complacently. It is essential that the actor should indicate beyond the
peradventure of a doubt that Peter J. Cottontail has never touched
spirituous or malt liquors or anything containing more than two per cent
of alcohol per fluid ounce.
As P. J. Cottontail peruses his paper the ceiling of the room is
suddenly plucked aside and two hands are thrust into the parlor. One of
the hands seizes Mr. Cottontail, and the other hand, which holds a
hypodermic needle, stabs the helpless householder and injects into his
veins the contents of the needle. It is a fluid gray and forbidding.
There is no sound unless the actor who plays Cottontail chooses to
squeak just once.
Here the curtain descends. It rises again almost immediately, but five
days are supposed to have elapsed. Mr. Cottontail is again seated in the
center of the room, and he is again reading _The Evening Post_. The
property man should take pains to see that the paper shall be dated five
days later than the one used in the prologue. It might also be well to
change the headline from "Submarine Crisis Acute" to "Submarine Crisis
Still Acute." It is also to be noted that on this occasion Mr.
Cottontail has removed his right shoe in favor of a large, roomy
slipper. On the opposite side of the table sits Mrs. Cottontail. She is
middle-aged but comely. A strong-minded female, one would say, with a
will of her own, but rather in awe of the ability and more particularly
the virtue of Mr. Cottontail. Yet Mr. Cottontail is evidently in ill
humor this evening. He takes no pleasure in his paper, but fidgets
uneasily. At last he speaks with great irritation.
MR. COTTONTAIL--Is that doctor ever coming?
MRS. COTTONTAIL--I left word at Doctor Cony's house that you were in a
good deal of pain, and that he should come around the minute he got
home. (_The door bell rings_.) Here he is now. I'll send him up. (_She
goes out the door, and a few moments later there enters Dr. Charles
Cony. He is a distinguished and forceful physician, but a meager little
body for all that. He carries a black bag_.)
Public-domain text, read in full here on John Shaqi.
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