APRIL 23, 1920.--H. 3rd handed me a pencil, and then stood around as if
he expected me to do something with it. I didn't suppose he wanted me
to commit myself in writing about any recent plays or books, and I
guessed that he desired something more pictorial. I drew a face and
showed it to him. It wasn't any face in particular and I didn't know
whether to call it the Spirit of the Ages or a young Jugo-Slav artillery
officer. H. 3rd looked at it with interest and promptly said "baybay."
I let it go at that and was pleased that he had caught the general
intent of the work. Unfortunately, I tried to show my versatility, and
the next head was stuck underneath a pompadour and on top of a rather
elaborate gown. But again he called it "baybay." I added trousers, a
walking stick, a high hat, a fierce scowl and put a long pipe in the
mouth, but he could see no difference. It was still a "baybay."
I was put in the quandary of setting H. 3rd down as a little
unintelligent or stigmatizing my art as ineffective, until I suddenly
came upon the correct explanation. These pictures of mine were direct,
naïve, unspoiled by any theory of life or composition. They were the
natural expression of a creative impulse. In them was the spirit of
spring, and freshets, and early birds, and saplings, and _What Every
Young Man Ought to Know_ and all that sort of thing. "Baybay," said H.
3rd, and he was quite right. I couldn't fool him by putting Peter Pan in
long trousers.
* * *
MAY 5, 1920.--This is the story of the low-cut lady and the lisping tot.
It is contained in _The Menace of Immorality_, by the Rev. John Roach
Straton, in a chapter entitled "Slaves of Fashion":
"I once heard one of the most famous reform workers of this city explain
why she gave up low-cut gowns," writes Dr. Straton. "She explained how
she was ready to start for the theater one night in such a dress, when
her little boy of five said to her, 'But, mother, you are not going that
way? You are not dressed.' And then, with trembling voice, she told us
how all the evening through, as she sat in the playhouse she kept
hearing that sweet childish voice saying 'Not dressed! Not dressed! Not
dressed!' until at last, with the blush of shame mantling to her cheeks,
and with the realization that a Christian mother should dress
differently from the idle and godless women of the world, she drew her
cloak about her and went home, dressed--or rather undressed--for the
last time in such a costume!"
Public-domain text, read in full here on John Shaqi.
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