Seekers in Sicily: Being a Quest for Persephone by Jane and PeripateticaBisland, Elizabeth
General
Seekers in Sicily: Being a Quest for Persephone by Jane and Peripatetica
Bisland, Elizabeth
Sicily (Italy) -- Description and travel
198In the glowing sun of the spring morning—the old
world renewing itself in blooming freshness all about—songs
of birds and petals of fruit-blossoms in the air,
against the shimmering blue of sky and sea and the
new green of the earth’s breast, was upreared the
saffron mass of Concordia—shrine of a Peace twenty
centuries old.
It looked its name, did Concord, standing with all its
amber columns worn but perfect, in unbroken accord,
still upholding architrave and tympanum.
Intact in all but roof, on its platform of steep, worn
steps it stands—in the midst of fields and groves that
were once a clanging stone city, close beside the dusty
highroad along which come the landau loads of hurried
tourists—with its calm still unbroken. It embodies
the permanence of peace through all the evanescent
life of the flowing years. Unaltered through all
the changes of time, its Doric columns rise, tranquil
and fair, and hospitably it offers welcome to all who
come.
“The Saffron Mass of Concordia”
As of old one may climb its steps to worship and
admire. The road winds to its very base, and it stands
as free to all comers as to the sun and wind. It alone
of all the glories of once magnificent Akragas remains
in its original shape. Other shrines were greater,
larger, more splendid in their day. The high house of
Zeus, with its mammoth columns, was nearly three
times the height of Concord; it had an enclosure of
three hundred and seventy-two feet to Concord’s one
hundred and thirty-eight, and must once have looked
scornfully on its little neighbour. Hercules, with his
marvels of sculpture and painting; Juno, with her
statue-enriched “thymele” terrace extending her precincts
199around its out-door altar and her renowned picture
by Zeuxis, for whose composite beauty the five
loveliest girls of the city had been models, probably
outranked simple Concord. No record of its holding
venerated treasures of beauty has come down from the
days of its prime. Yet it alone has survived whole;
emerging intact from the storms of war and nature, as
if its own distilled atmosphere of serenity has acted as
a preservative against Time. Even the Middle Ages
treated it gently. St. Gregory of the Turnips took it
for a shrine, and a gentle, serene saint he must have
been; one able to dwell in the abode of Peace without
feeling any desire to alter and rebuild, glad to look out
of its open peristyle and watch his turnips in the sunny
fields, wisely refraining from choking the pillars into
walls and plaster like poor Minerva’s at Syracuse.
Concordia’s cella seemed to have been just a cosy fit
for St. Gregory and he a careful tenant, leaving only
the two arched openings in its walls to mark his occupancy.
And so the Temple is to-day the best preserved
in existence—shorn of all its statues, stucco, and
decoration, a little blurred and worn in outline, as if
Time’s maw, while refraining from crushing, has yet
mumbled it over gently.
Public-domain text, read in full here on John Shaqi.
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